CURRENT ISSUE: Fall 2017

NOTES

Fall Editor's Note

L: Four times a year, our printer deposits a mountain of

boxes in our front hall. We pull off the tape to get our hands

on the new issues, our glossy seasonal produce. Upstairs the

magazines are variously pored over, flipped through, tossed

on the ground, stacked on the tables, organized

chronologically one day and repurposed as coasters the

next.

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FEATURES

Ms. Bigeyes

I used to wonder what it was like to be my mother, breathless and confused in a maternity ward, three times in a row. To push three defective children out from inside of her; to spend nine months dreaming in intricate detail of the pristine bundle of joy that awaited her, and each time, to wake up to a wriggling pink mass dangling out of a nurse’s arms and think oh no.

 

My granny likes to tell me that when she came to greet me in the hospital, she peered down into the mess of blankets perched on my mom’s chest and a great big pair of eyes stared back at her. Like Harry Potter’s first impression of Dobby, when he sees those two eyes and nothing else blinking at him through a bush, mine sort of hung there, round and earnest, eclipsing the rest of the infant body she knew must be attached.

 

This is what she says.

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POETRY

What I Said, Where I Said It, and Why

To hear myself say it

To listen to myself saying it to you

Who listen, to them or who

Cares why I said it 

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FICTION

Big Uncle In Havana

In Mandarin, the word for your father’s oldest brother is Big-Uncle-on-Father’s-Side. When I was eleven and Alaina was nine, we went to Havana with Big Uncle during his Chinese New Year vacation. Cuba was Dad’s idea even though no one but me spoke Spanish and, besides visiting family in China, we never ventured further than Nashville.

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FROM THE BLOG

House of the Mountain Goats

If you listen to their tracks on Spotify, lyrics aside, the Mountain Goats (historically) sound almost exactly like a mixture of those names on the “related artists” list; Neutral Milk Hotel, The Thermals, The Magnetic Fields, Okkervil River, etc. Their sound is cohesive, the music comforting in a way NMH or Beirut are, and not to get personal but they were all I listened to freshman year during my first big depressive episode. The band is, to put it simply, relatable and easy to enjoy- even if and maybe because sometimes it’s all blended together in a folk-jazz-indie kombucha mix. But their tour's House of Blues gig last Monday night (led by front man Darnielle and opened by Mothers) absolutely shattered any expectations I had- and only, somehow, in ways that had me wondering why I don’t listen more.

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FROM THE BLOG

Jenny O. and The Solars

I’m gonna preface this write-up with a clarification, of sorts; something I’ve been taking for granted but never bothered to articulate (before now). Unless I say otherwise – and it’d take a productive imagination to think up any relevant scenario(s) – these bits are reviewing specific gigs; not the group, band, whatever you want to call it, that’s performing outside of how they present at the gig and how that jives with prior exposure. Before any of the reviews, if I haven’t already, I listen to relevant discographies, but unless I wanna take a God-like stance on “getting” the dynamics of a group from one measly gig (let me assure you I do not, don’t think my rabbi would be down w that anyway) these reviews are just reviews of the gigs they purport to cover. EOM. Having prefaced this then, I have to say that Monday night was not a great gig.

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