CURRENT ISSUE: Summer 2017
Turning About: or the online entanglement of an email sex scam and a Christian romance novelist
There are enough uncertainties here that to do anything other than face them head on would be, at worst, disingenuous and at best, cowardly. This could all be hearsay, sort of. The leveling of voices brought on by the Internet has made it possible to peer across the room and eavesdrop on a conversation between strangers –– only the room is much bigger, and it may turn out that the strangers are estranged even to each other; they may not even know they are talking. This story follows one of those conversations, albeit a conversation in the most literal sense, as in the word’s latinate root, derived from the verb conversari meaning “to live with, to keep company with,” or literally, “turn about with.” This could be hearsay in the sense that it is my account of how two distant stories came to turn about with each other in the far reaches of the web, and that there is little other than the turning in question to go off of.
Gaborone is the capital city of Botswana. It resides to the South-East of this small, landlocked country in Southern Africa. Looking at a political map of Botswana might convince you that there does, in fact, exist more than one city or town or village within it. This is not the case. In scientific data sets, we tend to ignore outlier points that don’t align with our line or curve of best fit, and, in a country where almost half of its citizens live within a hundred kilometres of its capital, it is also easy to ignore anything else outside that radius, so we do.
A zebra burns to ashes by the Marina traffic circle.
The University of Botswana was built by cows.
Chickens sang songs in the nighttime.
A goat glittered in the sky.
In the middle of Sir Seretse Khama International Airport, an elephant stands.
Do you like worms?
FROM THE BLOG
Did I Really Visit? Notes from the MFA Late Nite
Leaving Harvard square, we saw three people in a car lean out all three different windows at once to energetically flip off the car behind them. The car behind them stopped and the driver got out. “Shit shit shit,” said Ariana, the Advocate’s Art Editor. “They’re gonna fight.” The guy stomped up to the driver’s window of the car in front of him and affectionately embraced the driver through his window. Our uber driver whistled. “I thought he was going to deck him,” he said. A minute passed. “Do you even like Takashi Murakami?” my friend Sam, art board member, asked quietly. I thought about it. “No.” “Me either.” But there we were, suddenly at the MFA. There were a lot of bright lights, and a lot of people smoking out front where signs said you weren’t supposed to smoke. We trekked on over two lawns, a parking lot, and the ramp for trucks with large deliveries to get to the press entrance.
FROM THE BLOG
House of the Mountain Goats
Natasha Sarna '18
If you listen to their tracks on Spotify, lyrics aside, the Mountain Goats (historically) sound almost exactly like a mixture of those names on the “related artists” list; Neutral Milk Hotel, The Thermals, The Magnetic Fields, Okkervil River, etc. Their sound is cohesive, the music comforting in a way NMH or Beirut are, and not to get personal but they were all I listened to freshman year during my first big depressive episode. The band is, to put it simply, relatable and easy to enjoy- even if and maybe because sometimes it’s all blended together in a folk-jazz-indie kombucha mix. But their tour's House of Blues gig last Monday night (led by front man Darnielle and opened by Mothers) absolutely shattered any expectations I had- and only, somehow, in ways that had me wondering why I don’t listen more.