CURRENT ISSUE: Fall 2017
Fall Editor's Note
L: Four times a year, our printer deposits a mountain of
boxes in our front hall. We pull off the tape to get our hands
on the new issues, our glossy seasonal produce. Upstairs the
magazines are variously pored over, flipped through, tossed
on the ground, stacked on the tables, organized
chronologically one day and repurposed as coasters the
I used to wonder what it was like to be my mother, breathless and confused in a maternity ward, three times in a row. To push three defective children out from inside of her; to spend nine months dreaming in intricate detail of the pristine bundle of joy that awaited her, and each time, to wake up to a wriggling pink mass dangling out of a nurse’s arms and think oh no.
My granny likes to tell me that when she came to greet me in the hospital, she peered down into the mess of blankets perched on my mom’s chest and a great big pair of eyes stared back at her. Like Harry Potter’s first impression of Dobby, when he sees those two eyes and nothing else blinking at him through a bush, mine sort of hung there, round and earnest, eclipsing the rest of the infant body she knew must be attached.
This is what she says.
Earlier that day while getting dressed,
slowly, painstakingly, the same dirty
flannel as yesterday and the day
before buttoned one plastic button at a time,
something in Adrian snapped.
FROM THE BLOG
House of the Mountain Goats
Natasha Sarna '18
If you listen to their tracks on Spotify, lyrics aside, the Mountain Goats (historically) sound almost exactly like a mixture of those names on the “related artists” list; Neutral Milk Hotel, The Thermals, The Magnetic Fields, Okkervil River, etc. Their sound is cohesive, the music comforting in a way NMH or Beirut are, and not to get personal but they were all I listened to freshman year during my first big depressive episode. The band is, to put it simply, relatable and easy to enjoy- even if and maybe because sometimes it’s all blended together in a folk-jazz-indie kombucha mix. But their tour's House of Blues gig last Monday night (led by front man Darnielle and opened by Mothers) absolutely shattered any expectations I had- and only, somehow, in ways that had me wondering why I don’t listen more.
FROM THE BLOG
Jenny O. and The Solars
Natasha Sarna '18
I’m gonna preface this write-up with a clarification, of sorts; something I’ve been taking for granted but never bothered to articulate (before now). Unless I say otherwise – and it’d take a productive imagination to think up any relevant scenario(s) – these bits are reviewing specific gigs; not the group, band, whatever you want to call it, that’s performing outside of how they present at the gig and how that jives with prior exposure. Before any of the reviews, if I haven’t already, I listen to relevant discographies, but unless I wanna take a God-like stance on “getting” the dynamics of a group from one measly gig (let me assure you I do not, don’t think my rabbi would be down w that anyway) these reviews are just reviews of the gigs they purport to cover. EOM. Having prefaced this then, I have to say that Monday night was not a great gig.