CURRENT ISSUE: Winter 2018


Something Evil Is Out There

Minutes seem to pass, whole lifetimes,

While we wait for it to show itself
This very moment, or maybe the next?
As the trees rush to make us believe

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Editor's Note: Noise

Noise lives a double life. It’s the random fluctuations in the background, where voices and images are born and where they go to die. It is also the car alarm, the lawnmower, the kid crying on a plane where you can’t get away and can’t make it stop. It tends to get between you and whatever you actually want to be hearing. “Noise is unwanted sound,” says the collective voice of Wikipedia’s legion of anonymous editors, speaking from the digital abyss. These pages are home to a silent unwanted uproar. They are dedicated to sights and sounds neglected, to everything that reaches your eyes or ears but still evades notice. This issue of The Harvard Advocate tries to listen.

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An Interview With Hito Steyerl

If people stop using Google Maps or routing applications their brain changes. Orientational parts are rewired. It’s not only on the level of representation that people would slightly change. Time and space would be perceived differently without a phone, or, using the Google maps example, they would not be perceived at all.

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So many people were being raptured that day, so many having their hearts’ desire. But suicide was becoming quite boring, no longer worth getting rapturous over, nothing to get out of bed for. It was not at all original to climb the ladders of sky, since the stars, and their broken shells, were giving very obvious directions. And there were times when the strange weather simply demanded it. If a midday breeze blew apart a veil of air, you might spy something there as like a revelation; and no sooner marked by its beauty, your neck rests upon the wide bosom of sky.

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Boston Calls: What We Hear

2018’s Boston Calling music festival promises to daze, entrance and brew revelry under the proverbial roof of Harvard’s athletic complex. This year’s festival will include performances by festival mainstays The Killers, Eminem and Jack White, as well as performances by critically acclaimed indie acts including Julien Baker, Thundercat and St. Vincent. The full artist list can be found at Calling has brought out a truly stellar lineup this year, paying particular attention to increasing the range of artists and musical styles it represents. This year’s Boston Calling promises to satiate music and culture lovers of all tastes. The festival will feature prominent rappers including Eminem; Tyler, The Creator; Cousin Stizz; and Brockhampton, while also presenting indie artists such as Dirty Projectors and Big Thief and major rock artists such as Queens of the Stone Age and Paramore.

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Boston Called, She Left a Message


Boston Called: What we heardJosh Grossman & Grace PanThe dry heat makes the grass yellow outside the Harvard athletic complex, but the AstroTurf remains green for Boston Calling. As Boston’s festival goers descend upon the complex, the smell of fried food, sweat, and just a whiff of the ganja permeates the air. But why do people come to music festivals? For the star-studded line up or for those strange moments of community found in the ever-pushing crowd? For the Insta/snap story or for the time with friends? For the likes or for what they like? And perhaps more importantly, what makes music festivals special? Are they like a lunch buffet special that is only appealing in combining everything for one, reasonable package-price? Or is a music festival greater than the sum of its events?On Friday afternoon, Noname performed on the green stage.

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