CURRENT ISSUE: Winter 2017

POETRY

A Lucrative and Realistic Career

It will have been the next day that I can tell rain

yesterday. Save that enduring force of your face

 

behind my eyes, outward-looking. This wills me,

as the old woman spilling her groceries wills me,

 

as dusted, caked, erased, pushing trails through—

as the big sun over the bigger farm house waits.

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FEATURES

Rituals of Exclusion

A spindly peninsula juts off the northern coast of Greece like a bony nger exed in the Aegean. In pictures, it looks otherworldly: lush, lonely, and alpine, azure tides battering against ragged precipices. An edice that resembles a decaying fortress languishes at the edge of a cliff in sad decadence as if threatening to slump into the ocean. It looks like the sort of place you would expect to find the last living dinosaur, huge and decrepit.

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COLUMNS

The Perpetual Scam

Joanne wants you girls to know that she’s a real messy bitch: a liar, a scammer. “I love robbery and fraud,” she drawls with scandalized bourgeois affect, flipping her blonde wig with a vigor that threatens whiplash. “And I’m a messy bitch who lives for drama.”

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FICTION

The Pregnant Women of Florida

Their navels pop out, poking like thumb-tips against the ribbing of their tank tops. A soft skirt, a pair of track pants, tiny shorts, waistband cupping the circumference of the belly’s bottom rim. No maternity jeans—this heat! A sundress, anything with cinched elastic, breeze. Flip-flops with flattened rubber soles. The flapping accentuates their widened gaits.

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FROM THE BLOG

Chance's Megachurch

"Make some noise if you wanna go to heaven.”When Chance the Rapper uttered this phrase about halfway through his set at Boston Calling, no one skipped a beat, the crowd roaring for everyone’s favorite friendly rapper. Pyrotechnics and massive screens began to roll as he transitioned into yet another immensely catchy and soulful song from his hit-studded repertoire. In front of the stage, beach balls flew and a sea of arms glistening with wristbands bobbed slightly off beat. All eyes focused on Chance. As he ran and jumped across the stage, it was hard not to revel at his fervor and knack for crowd engagement. But if college has taught me anything, it is to immediately transform my natural revelry into analytical impetus. And as a Religious Studies major, I couldn’t help but take a step back to look at the precedent and undertones of Chance’s massive performance.

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FROM THE BLOG

Notes from Boston Calling

A Tweeted History of Cage the ElephantSupporting Cage the Elephant was my first taste of hipsterdom. When I saw the band open for Stone Temple Pilots in 2010, I was one of the fifteen audience members who knew the words and stood by the stage. The hundreds of seated attendees who had never heard of the opener could see that I was a real fan.With every step the band took toward mainstream success, I tried to claim them as my own. I broadcasted my excitement for Cage the Elephant releases on Facebook (Figure 1). I refused to take pictures on my flip phone after their concert, fearing I might somehow replace my home-screen photo of lead singer Matt Schultz jumping into the audience.When I heard the single from their 2013 album Melophobia inside an elevator, I knew I had to accept that Cage the Elephant was popular.

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