Features • Spring 2026 - Fear
Gezi
Once again, a newborn cried for the first time. The bald scream carried her voice through crowds in a chestnut-smelling street, rousing the cats from their curbside sleep. The sound stretched farther on to the trees of Taksim as they shuddered with an intensity foreign to them. The cats knew of what was coming before us. They found Spirit in a corner of İstiklal, licked and nursed her. They were the ones who would tell her about the name of the street, about how long before it meant independence, it meant dismissal and rebellion. They told her, as she cried, that she was rebelling even now when she did not know the word for it. They were the ones who decided that the time was right and carried the newborn to a nearby park. The cats, from atop the branches of Gezi, all silent in their knowing, wanted to show Spirit the trees.
Poetry • Spring 2026 - Fear
There’s something to be said about those little birds inside the eggs, with the sticky baby down and bones melted tender. This morning, you call me soup-for-brains and I imagine a boy’s guts cupped inside the feathered belly on my plate—another boy pressed open like a drum, a membrane. I drink the brine from a jar of Koon Chun plums for breakfast. Practice, I say, and you call me Pussy for the first time all week. They say it doesn’t taste like anything. Just the salt of the duck and the blood-tang of marrow. But I forgot you’re tutoring Leah Wong at her place today, so I turn and face your black-feathered buzzcut. No time for a game behind the school with the Chus’ half-popped basketball, which yesterday I poked till it dimpled and likened it to one of her mom’s big fake ones, and you hit me. For a split-second I thought I saw your eyes turn milky and your spine go baby-bent, but I pulled up your T-shirt and you were still hairless as a girl, your skin opaque. So it’s dinnertime and Mom isn’t home yet and all I have is the chick in my egg. He’s just boiled awake, beak parting to call me Dumbass. Soft. My fingers turn to yellow protein in calcium dust, prying you into this wet, scalding kitchen. Walls gum-pink and beating; I take you where heat reigns.
The fresh online pieces we experiment with outside of our print cycle. Formerly known as Blog.
From the Archives
Poetry • Spring 2010
Morning is stark over the contours of two hillocks. The slopes are trapped in slow folds of air bright as the glass of an unused photo frame. The air gathers reflections from the undersides of leaves that look like quieted skin in a room with the curtains drawn. The leaves stick to one another and to the bark of the tree that swoons into the blue space off to the side, following the rules of good composition. There are no clouds and the sun is not pictured. Neither is the procession of women that had just passed through here. They wore hoods and held out cupped hands. Their cupped hands carried nothing. Perhaps a bell tolled in the distance and the echo followed them. That we could never have known. But the women, the women – the creases in their palms were thin smiles.
Fiction • Summer 2025
9/23
Therapist (Dr Keithe) says to keep running journal of treatments, reactions, flare-ups, etc., note as happen and/or at end of each day (and take care not to let documentation of obsessive thoughts become obsessive itself (I told her saying this improved probability that it would, she said this reaction was her intention, to provoke me)), this will help with analysis, seeing progress, where to go next, etc.
Fiction • Spring 2023 - Decoy
Edited by Talia Blatt
Sheila Heti is a Canadian novelist, playwright, and essayist. The Fiction Board of The Harvard Advocate met with her over Zoom the morning of December 15, 2022. We spoke about her novels and children’s books, theater, mushrooms, reading her diaries in The New York Times, artificial intelligence, and how maybe everything is just fiction.
Fiction • Fall 2022
The day she turned forty, my mother burst into flames. I watched it reflected in my father’s glassy eyes across the dinner table, yellow and orange tongues of fire that danced in their devouring. Flesh doesn’t burn like wood or paper, doesn’t turn immediately to ash; it sears and bubbles, melts in layers, and sloughs away in chunks. She collected in a pile of chalky, mangled bone and blood broiled into sticky black tar.





