Features • Spring 2026 - Fear
Gezi
Once again, a newborn cried for the first time. The bald scream carried her voice through crowds in a chestnut-smelling street, rousing the cats from their curbside sleep. The sound stretched farther on to the trees of Taksim as they shuddered with an intensity foreign to them. The cats knew of what was coming before us. They found Spirit in a corner of İstiklal, licked and nursed her. They were the ones who would tell her about the name of the street, about how long before it meant independence, it meant dismissal and rebellion. They told her, as she cried, that she was rebelling even now when she did not know the word for it. They were the ones who decided that the time was right and carried the newborn to a nearby park. The cats, from atop the branches of Gezi, all silent in their knowing, wanted to show Spirit the trees.
Poetry • Spring 2026 - Fear
There’s something to be said about those little birds inside the eggs, with the sticky baby down and bones melted tender. This morning, you call me soup-for-brains and I imagine a boy’s guts cupped inside the feathered belly on my plate—another boy pressed open like a drum, a membrane. I drink the brine from a jar of Koon Chun plums for breakfast. Practice, I say, and you call me Pussy for the first time all week. They say it doesn’t taste like anything. Just the salt of the duck and the blood-tang of marrow. But I forgot you’re tutoring Leah Wong at her place today, so I turn and face your black-feathered buzzcut. No time for a game behind the school with the Chus’ half-popped basketball, which yesterday I poked till it dimpled and likened it to one of her mom’s big fake ones, and you hit me. For a split-second I thought I saw your eyes turn milky and your spine go baby-bent, but I pulled up your T-shirt and you were still hairless as a girl, your skin opaque. So it’s dinnertime and Mom isn’t home yet and all I have is the chick in my egg. He’s just boiled awake, beak parting to call me Dumbass. Soft. My fingers turn to yellow protein in calcium dust, prying you into this wet, scalding kitchen. Walls gum-pink and beating; I take you where heat reigns.
Features • Spring 2026 - Fear
By no means is this a famous story. It takes place in Huntsville, Utah, a small town of under six-hundred residents, located in Ogden Valley on Pineview Reservoir. Surrounded by three ski resorts (Snowbasin, Powder Mountain, and Nordic Valley) there is no shortage of idyllic views, nor a shortage of seasoned skiers wishing to park amongst these idyllic views. This is observed by the abundance of Parking by Permit Only signs that prohibit parking west of 7300 E Street, made possible by the Huntsville Town Ordinance on April 19th, 2018.
Fiction • Spring 2026 - Fear
Big John stood near me with the electric blue above us, screaming out with its shine for everyone to drink it. Lines of neon stretched and twisted into a beauty of advertising brilliance. We were drinking it and the bottles were sweating and it made me feel good for the first time all day.
The fresh online pieces we experiment with outside of our print cycle. Formerly known as Blog.
From the Archives
Poetry • Spring 2024
after 鲁迅
For all the places I kneel on bruised
knees: a sheet of snow, scarred streets,
the crusted carpet on my sand-scratched
floor. How new boots leave marks on my bare
ankles. How a spring snaps in my mattress—
I wake up to all the sparrows dead
on my windowsill. Winding kinesiology tape
around my ribs until all the air flees.
Google says it’s normal. This shortness of breath.
This bruising. This inflamed voice box.
Silence. The fear of disturbing the sleeping,
of their knuckles against the back of my throat.
Poetry • Fall 2024 - Land
Just when I think yellow won’t happen again,
the water gets still enough to hold the sun.
I am reckless enough to believe the world
welcomes me. Just when I think lavender
is over, the meadow wakes up, the butterfly
appears, the sun sets once again. I never
meant to want too much from love, but
the claws of tulips raged through our garden,
and I knew to run west, where horse apples
punctuate the trails and prickly pear asterisks
the edges—a warning not to stray.
Features • Fall 2013
In celebration of Seamus Heaney, we include here a tribute read at a service in Harvard Yard’s Memorial Church honoring the life and work of the poet. Professor Robert Kiely, who served as Master of Adams House from 1972 until 1999, read “Seamus at Adams House” as an introduction to “Anniversary Verse”. Heaney himself had composed and read “Anniversary Verse” for the 50th Anniversary of Adams House, where he often stayed during his years at Harvard. Adams House was known as the Left Bank of undergraduate life back when students were allowed to choose their Houses: the vibrant center of the arts on campus. We include Professor Kiely’s portrait of the poet during his Harvard years in remembrance of Heaney the teacher, and Heaney the friend: the Heaney who guides us still.
-The Harvard Advocate
Harvard can be a strange and difficult place for a newcomer, freshman, professor, or poet. I remember a new colleague telling me that although everyone was friendly and polite, he could not find the center of the place. He always felt lost. That was not Seamus. Seamus had his own center. He also had his own home at Harvard. When he first came to the university in 1979, the English Department welcomed him warmly as Visiting Poet, but it was in 1981 when he moved into I-entry of Adams House that he became one of us, a neighbor, a friend, a member of the family.
The guest suite in I-entry was not a five star accommodation. These rooms were only a step up from the days of the founding Puritan Fathers. There was indoor plumbing, electricity, a bed, a desk, a table, and a few chairs. A visiting professor who had arrived near midnight some years earlier phoned me to say that the place had no door and she was afraid to go to bed. Buildings and Grounds had been working on the room and had not quite finished the job. I told her to pile furniture at the threshold and try to get some sleep. We did install a door before Seamus arrived. In any case, he never complained. In fact, I think he liked the spare simplicity, the convenience, the company when he wanted it, and the solitude when he needed it. When Marie came for visits, she put flowers on the table and said it made them feel like newlyweds.
Seamus came back every year for one semester. It soon seemed as though he had always been there with us, taking meals in the Dining Hall, chatting with someone in Randolph Court, reading poetry and listening attentively and with evident pleasure to students reading their own poetry in the Common Rooms. Like any true survivor at Harvard, Seamus learned how to disappear and do his work, but he also loved celebrations and a good party. One of his favorite Adams occasions was the Saint Patrick’s Day Tea at Apthorp House. He often brought Irish friends who could sing or play the penny whistle. Students tried to dance something resembling an Irish jig. He would stand on a chair and recite poems, beaming all the while, not for the attention he was getting but because of the attention poetry was getting. When he was informed of the Nobel Prize, he was travelling in Greece. He phoned to say he couldn’t keep the astonishing news to himself. It was during a Tea, so I announced it to the assembled crowd of students who cheered so lustily he could hear them in Athens.
Seamus was a great story-teller as well as a great poet. Among the many he told, there are two stories about Ireland, poets, and poetry that keep coming back to me. One night when he was driving alone through the Irish countryside after an event—a wedding or banquet—he was stopped by a patrolman for speeding. The patrolman seemed tired, wet, and angry: “Show me your driver’s license,” he shouted as if to a deaf man. Seamus began fumbling around his pockets, realizing that he may have forgotten to carry it with him. The patrolman shone a flashlight into the car as if looking for contraband. “Can you identify yourself?” Seamus noticed an envelope with his name and address on the empty seat next to him. “Will this do?” The patrolman shone his light on the name, looked up and said, “The poet?” Seamus nodded modestly. “Drive on,” said the patrolman.
The other story is about a poet looking for a poet who was not an Irishman. Seamus loved the poetry of Gerard Manley Hopkins. He knew that Hopkins had been sick, lonely, and unhappy in Dublin; that he died there; and, though an Englishman, he was buried in Glasnevin Cemetery where Irish patriots had also been laid to rest. One day, Seamus decided that he wanted to visit Hopkins’ grave. In an almost Shakespearian scene, the young Irish poet got lost among the tombstones, unable to find his way to Hopkins until he came upon two gravediggers. “I’m looking for Gerard Manley Hopkins,” he said. “Who?” “The poet. Hopkins.” The first gravedigger shrugged and looked at his mate, “Have you heard of a Hopkins?” The second gravedigger scratched his chin, looked at Seamus, and said, “Oh, you mean the convert!” And then glanced over his shoulder and said with a nod, “He’s over there.”
I hardly need to say that Seamus loved Ireland. But like those ancient Irish monks who sailed off in their currachs and made themselves at home all over the world, Seamus was a hardy traveler and, through his poetry and generous disposition, his was a welcome presence and voice in many parts.
I have saved till last my most treasured memory and a copy of a message from Seamus to Harvard—to all of us—that most of you will not have read or heard. In the spring of 1982 Adams House celebrated the 50th anniversary of its founding. Throughout the semester there were festivities—an original opera, an art show, poetry readings, concerts, and finally a banquet. Seamus, of course, was there. As a surprise, he composed a poem and dedicated it to Adams House. I now hear it as a toast to Harvard, a thank you note to all of us, and a light-hearted, but serious reminder of what we can be at our best, why he liked being here and, though he doesn’t put it that way, why we loved having him with us.
-Robert Kiely
Anniversary Verse
SEAMUS HEANEY
“For Bob and Jana with much gratitude”
--19 May 1982
Master Kiely, guests and friends,
Tutors, tutees, alumni, students,
You stair-case dwellers
Whose amplified hard rock and reggae
Resound from every dormitory,
You fiftieth anniversary
Revellers,
Ye maids and swains of Adams House,
Ye actors, athletes, sexy muses,
Ye gilded youth-
I rise to rise to the occasion
And not disgrace my art or nation
With verse that sings the old equation
Of beauty and truth.
I rise as one who comes and goes
Beneath your storied walls and windows
A visitor,
Part tourist and part faculty,
An ethnic curiosity
Dubbed by grace of poetry
Guest lecturer.
Inspire me then, occasional muse,
With verse to cure the exam blues
And banish care,
To greet old academic ghosts
Who once caroused on the gold coast
Whose love of learning vied with lusts
For flesh and beer.
That I may briefly celebrate
Community, half-collegiate
And half domestic,
And say a word about the way
A scholar’s personality
Can keep its health emotionally
Yet stay scholastic.
The diapers we first were dressed in,
Our graduation gowns of ermine,
Which, would you say,
Will mean more to us in the end?
Those powdered folds pinned tight around
Our little backsides, or that grand
Scholar’s regalia.
All of us are amphibious
Between our universities
And where we come from.
No one gets born in a campus bed.
Even the trendiest school of Ed.
Has never weaned or bathed or breast-fed
Or wiped a bum.
No co-ed dorm supplies the joys
Of an attic full of dusty toys
And old dolls’ houses.
No faculty of engineering
Repeats the thrill of tinkering
With model planes, that hankering
To fly with aces.
It seem illiterate solitude
Is the first place that the true and good
Awaken in us.
The later freedom we call leisure
Cannot supply that buried treasure
Which is the basis and the measure
Of personalities
And which we name imagination,
A word I cite with much elation
And some unease
Because it can sound slight and airy,
An entry in the dictionary,
A bubble word. Yet while I’m wary
I realize
All need its salutary power.
All men and women must beware
Who would deny it
And go against their childhood’s grain
And dry up like earth parched for rain.
They’ll grow mechanical and then
No drug or diet,
No health farm, clinic, yoga course,
No mantra, om, no Star Wars force
Will compensate
For what is lost when the mind divides.
Even science now concedes
The brain has two conjugal sides,
The left and right,
That have to marry intuition
To the analytic reason
For psychic balance.
Head sleeps with heart, begets a creature
Free yet cornered in its nature.
To be your whole self you must mate your
Brains and glands.
Which is why I bless the atmosphere
Of Adams House; and toast our master
And his wife.
I toast good nature in the staff,
The way that nothing’s done by half-
Those who work hard and still can laugh
Are the spice of life.
I like your hospitality,
Your literate vitality,
Your casual styles.
The way that love of liberal arts
And loves inspired by Cupid’s darts
Have educated all your hearts
Is in your smiles.
So all together, gaudeamus,
Because as sure as my name is Seamus
To-day’s the day
For intellectuals to play.
On your fiftieth anniversary
Rejoice, and as the jazzmen say,
Take it away.
Poetry • Fall 2024 - Land
1.
When rain stops
I find mushrooms
arranged in a ring.
The dead below us
raise open hands
in an alleluia dance.
Their white-nailed
fingers pierce dank
rotted leaves.
Each winter more friends
join mushroom spirals
of slow dancers.
As a frost moon rises
their circles festoon
even the distant hills.
2.
She said a few hours before death
You will write about this, won’t you.
Not a question.
3. Native Beliefs
When a good person dies
rains come to wash away
fingerprints and footprints.
Sorrows of this life fade.
When a good person dies
mist weeps from the sky.
Sparrows watch mourners
gather to sing and pray
when a good person dies.
Poetry • Winter 2015 - Possession
{the minstrel leaves the stage}
Nice ax
I say.
He says
“pyx
but I see how you could confuse that”
What else
could I beg for but
pardon?
He tells me
“there
is none not whilst I make water and libate;
buy me one of what you’re having; tell me
your ailings and next set I’ll slather the balm
across your brow”
I buy the spirit, but am fine, I tell him
my kids love their puppy, we all tussle.
I’m guttered
by this happiness.
He sings
“my psalmbook is a host
of dogs baned and swole-up; of molars
shattered by bruxing grief; you’re kindling”
He sings
“air out your eyes”
Is that a Hank, ’a Cash?
“alms of such generous measure cannot be
guaranteed nor refunded ”
You Catholic?
“i am catholic; you know
i like your proximity and you can sure sit close;
this bar is dead yet I’m drinking left-handed!
come you; congregate with me around the mic”
Me?
“you do you play?”
I can’t play a thing.
“then you will
need a banjo; you’ll make of your right hand
a cup; strum; you could put your other hand
in your pocket; easy”
But to keep such a pace?
“my heel
thuds and leadeth the way; though you peter out
though you rest, pick it back up; and whoa
therein’s dynamics; though you think I’ve lost stride
the measure divides infinitely; though you lope behind
you cannot drag the time it drags you along
a consecrated path a circle; we are bound
to overlap”
I’m slow of speech and tongue.
Can’t you get someone else?
“no one is here; neon like moths tick
against tubes these lights so perpendicular
my silhouette glooms against the wall
and lurks; keep your face toward the signage,
mouth toward mic or voice and visage
you will bleed into the corner”
But I don’t know any words.
“save that line! it is perfect for banter twixt
songs; stutter; be sheepish; the PA could sprawl
a mere hum across the crowded firmament
afterside this drop ceiling; play
your self as a character; say it skutter tway;
say Sewanee; say right and reckon;
say Lawd; attribute weather to him; pluralize
his name, like They Lawds’s lightnin’ out;
come Tulsa you’ll mumble the chorus; come
Joplin holler, Memphis sing
and Shreveport harmonize; come home
again we’ll blend our twang of breath;
but tonight, follow me; I’ll feed you the word”
Poetry • Fall 2015
& this sŭn birthed another
with tears in her face -
yellowed or gilded or faded or
green - whatever the sun fancied
for his willowed basement matter
& this sŭn watched another
with splinters at his sapling fingers
from the wood in his veins -
usher three men into the church
where his mother wore her veils
& this sŭn watched her
yearn to flourish when showers came -
unexpected - regular -
and she grew with each one
and she died for so much of each year
& this sŭn saw a boy almost
half the time - through mirrors - weeping
as she had constantly taught him
how to keep the wisps from lighting him
afire - aflame - a glow, distantly
& this sŭn called a meeting
when he was gaunt - taut - white
heat seeping from the crows in her smile
with dreamt messes of unfeeling limbs
- snap - bitten brittle - brittle together
& this sŭn wept
when he raised up the axe to
chop down a mother - child
for the gift of warm space
where new sprouts could breach











