Features • Spring 2026 - Fear
Gezi
Once again, a newborn cried for the first time. The bald scream carried her voice through crowds in a chestnut-smelling street, rousing the cats from their curbside sleep. The sound stretched farther on to the trees of Taksim as they shuddered with an intensity foreign to them. The cats knew of what was coming before us. They found Spirit in a corner of İstiklal, licked and nursed her. They were the ones who would tell her about the name of the street, about how long before it meant independence, it meant dismissal and rebellion. They told her, as she cried, that she was rebelling even now when she did not know the word for it. They were the ones who decided that the time was right and carried the newborn to a nearby park. The cats, from atop the branches of Gezi, all silent in their knowing, wanted to show Spirit the trees.
Poetry • Spring 2026 - Fear
There’s something to be said about those little birds inside the eggs, with the sticky baby down and bones melted tender. This morning, you call me soup-for-brains and I imagine a boy’s guts cupped inside the feathered belly on my plate—another boy pressed open like a drum, a membrane. I drink the brine from a jar of Koon Chun plums for breakfast. Practice, I say, and you call me Pussy for the first time all week. They say it doesn’t taste like anything. Just the salt of the duck and the blood-tang of marrow. But I forgot you’re tutoring Leah Wong at her place today, so I turn and face your black-feathered buzzcut. No time for a game behind the school with the Chus’ half-popped basketball, which yesterday I poked till it dimpled and likened it to one of her mom’s big fake ones, and you hit me. For a split-second I thought I saw your eyes turn milky and your spine go baby-bent, but I pulled up your T-shirt and you were still hairless as a girl, your skin opaque. So it’s dinnertime and Mom isn’t home yet and all I have is the chick in my egg. He’s just boiled awake, beak parting to call me Dumbass. Soft. My fingers turn to yellow protein in calcium dust, prying you into this wet, scalding kitchen. Walls gum-pink and beating; I take you where heat reigns.
Features • Spring 2026 - Fear
By no means is this a famous story. It takes place in Huntsville, Utah, a small town of under six-hundred residents, located in Ogden Valley on Pineview Reservoir. Surrounded by three ski resorts (Snowbasin, Powder Mountain, and Nordic Valley) there is no shortage of idyllic views, nor a shortage of seasoned skiers wishing to park amongst these idyllic views. This is observed by the abundance of Parking by Permit Only signs that prohibit parking west of 7300 E Street, made possible by the Huntsville Town Ordinance on April 19th, 2018.
Fiction • Spring 2026 - Fear
Big John stood near me with the electric blue above us, screaming out with its shine for everyone to drink it. Lines of neon stretched and twisted into a beauty of advertising brilliance. We were drinking it and the bottles were sweating and it made me feel good for the first time all day.
The fresh online pieces we experiment with outside of our print cycle. Formerly known as Blog.
From the Archives
Poetry • Spring 2016
The spud keyed up the ice
like Tec was trying to chip
flakes into his lemonade.
That’s pretty fucking deep
right there, he massaged
from cheeks taut
with the cracked
shake of trees
unchewed: not much
but jagged beeches,
stretching their necks
against the settling
cut of cold.
He stepped slow
through the flat snow,
enough to cover the leaded gouge
of the spud.
Gotta cut some poles,
he said, kicking a clean chew astray.
That’s a big house.
He fingered the painted hatchet.
His hole echoed across the
whited bog—long enough to get
the dead-spruce poles down,
wide enough to get
a fifty pounder up. Diving
his hand and wrist and arm
into the black,
it came back crystalized.
Right there—that’s the channel to
the feed bed over there,
a snapped stick lump
large enough for four.
Tec pinched the springs in place,
strapped those to the poles.
Using a three-thirty here,
a blind set here.
Tec rapped on smiling
green splint sticks
in his oiled pack basket.
This here popple
is candy to them.
He wired a chunk
to the wiley trigger.
The ice moaned deep and low,
the pins, the masses
leaned in, stared.
Tec sets the toothless jaw wide,
a gummy smile of rust,
it slips into the water,
nestles aside the muck.
Features • Fall / Winter 2023
Peter Hessler is a writer and journalist from Columbia, Missouri. A regular contributor to The New Yorker and National Geographic Magazine, he is the author of three books documenting Reform China (River Town, Oracle Bones, Country Driving), a book on the Egyptian Revolution (The Buried), and an essay collection (Strange Stones). For his work, Hessler has been named a MacAuthur Fellow and a finalist for the National Book Award.
Features • Spring 2010
Contributor’s note: Rebecca Cooper wrote this in the Year of Dairy Products from the American Heartland, give or take some subsidized time.
“No no no. So let me tell you. I did this quiz in the* New York Post*: ‘How Much of a New Yorker Are You?’ Or some shit*.* Man, I've lived here my whole life, so I was like, I got this shit. But *shit* man. The quiz was hard. It's like *I don't know this stuff*: ‘'What's the highest Subway station in New York?’'”
I shrugged.
“Smith-9 Street in Brooklyn. *What*!” the man continued, his flailing arms almost thwacking a girl in a fuchsia jumpsuit. She mashed her gum loudly. The man didn't notice. “Who knows that shit? That's not New York. Here's the one I got. What's the only borough that's connected to the mainland?”
I should know this. I'm walking down the length of Broadway to hand out blank *maps* of Manhattan to strangers. My roommate Ama Francis and I have 480 more maps and just over 12 more miles ahead of us.
“The Bronx?” I say.
“Yea! My friend liaves there ‘cause it's the only part of New York that's connected to the mainland, so if shit goes down, he can just keep running. You know. Cause elsewhere, it'd be like: *Run—water! Ah*!”
The stranger pretends the boundary of his concrete block is the edge of the island.
“*Run!*” He hits the crack in the pavement closest to me. “*Water! Blah!” *He spins 90 degrees and runs north on Broadway toward 214th Street—*“Run!”*-- until he hits the edge of the concrete tile, spins again over his right shoulder, runs away from me, his black high tops practically screeching on the hot July pavement—*Water*!—spins again, runs. He looks like a pinball or a frenetic toddler in a tiny playpen.
“But in the Bronx he could just keep running.” He breathes hard. “9 /11 did different things to people.”
The summer air hangs above the asphalt as if it’s thick enough to stir.
“Anyway, girl, I'll take your map. I'll do it for you. You want me to map the shit that means something to me? What Manhattan is for me? Okay. You got it, babe. Good luck.”
My blank maps are 3.5” x 7” postcards with a cartoon outline of Manhattan on the inside. The island looks like, as Truman Capote puts it, “a diamond iceberg” floating between the East and Hudson Rivers. Or as Pat Flanagan writes in his postcard to me, months after handing him a map, “an abdomen without the appendages necessary for life,”, “a halved steer,”, “a leg of lamb” one meat hook shy of a slaughter house. I think it looks more like a jalapeno pepper, with a vein down the middle for Broadway, a transverse line for Houston Street, a rectangular blemish for Central Park and a baby pepper, or maybe a stray leaf, by its side for Roosevelt Island.
It’'s nearing the end of the first hour, the noon sun is just about standing over us, and Ama and I are finally past Inwood Hill Park. We’'ve handed three maps to the Watchtower ladies sitting on the edge of the park, giving out the religious pamphlets. In return for their accepting our maps, we took our own reading material—two brochures, one on depression and the other on “Global Warming?”. I hand a map to a woman tending a churros stand at the corner of 198th and Broadway by trying to pass my Italian off for Spanish. *Draw your mind* is the phrase that finally got her to take it. A post office worker, dripping with sweat, palms one without listening to the explanation.
Ama spots a tall, burly man leaning against an M100 bus post on Dyckman Street, where Broadway meets with the final segment of Riverside Drive. A baseball bat and a duffel bag large enough for four basketballs drape from his sides. Ama approaches him. Even with the sun almost directly overhead, she stands in his shade.
“Hi! We're doing a mapping project of Manhattan and we were—--”
He pulls out an earbud from under his sweatband. “Huh?”
I realize it looks like he could eat her.
“We're doing a community art project, giving out blank maps of Manhattan, and asking people to represent Manhattan in a way that'’s meaningful to them. You can draw, write, label. And—--”
“Wait what?”
“We... we want you to record the stuff in Manhattan that makes it home. Whatever you like. ”
“I take this and draw anything I want on it?”
We both nod.
“Anything?”
“Anything,” Ama says, “and then you mail it back to us.”
He puts out a hand. The skinny map looks even more miniature in his grip.
“Thanks!” Ama says, turning back south on Broadway.
“Wait. Have you guys been to Inwood?” he asks, pointing uptown. “Some *great *basketball courts up there. Real good places to picnic.”
“We just passed by—”
“Because one time in that park I saw this hummingbird by a flowering tree, just like beating its wings a million times a minute. And I walk up close and that thing is beating faster than anything I’ve seen in my life. Its little heart going ba-boom ba-broom in its chest. Have you ever seen a hummingbird?”
Ama says in Dominica, where she grew up, yes.
“I can map that?” he asks.
“Of course.”
“Because really. Have you seen a hummingbird from* up clos*e?”
Broadway runs north-south across the length of Manhattan. It starts from Bowling Green in the south and cuts northwest across the island from 10th Street to 79th, where it unkinks itself, rejoins the grid, and forms the spine of the Upper West Side. From there, it runs almost perfectly straight the rest of the way to Inwood, jumps over the Broadway Bridge, continues through Marble Hill, a sneaky little part of Manhattan that'’s not actually connected to the island, and goes up through Yonkers and Sleepy Hollow before disappearing into Route 9.
It used to be a Native American path, cut through the brush and swamps of old Mannahattan, called the Wickquasgeck Trail. When the Dutch came, they took it as their main highway and renamed it *Breede Weg.* Then the English won out, and anglicized it to *Broadway. *But it wasn’t until 1899, when Mayor Robert Van Wyck signed a law changing the name of Western Boulevard—the segment above Columbus Circle—to Broadway that the whole avenue became unified under the same name.
It’s hour three and it’s starting to feel like Broadway' is a conveyor belt with Manhattan zipping by on either side. English appears out of the Spanish. Awnings for “CA$H LOAN$” and C-Town morph into red brick facades laced with ivy. The metal skeleton of the IRT subway line sinks into the ground at 122nd Street.
Ama and I have started taking bets on who will and won’t respond agreeably. A woman hobbles out of RiteAid near 110th street, dragging her left foot behind her right. Ama says no. I say yes:
“What? What do you want? Directions or money?”
“Actually we’re doing a mapping project...”
“And how much do I have to pay for it?”
“Nothing.”
“Oh in that case, thanks sweeties.”
Empirically, the hipsters are too snide. Three of four Columbia undergraduates stop, but the Columbia Medical Students can’t be bothered. Ama considers doing a sociological project in tandem with my cartographic one.
An elderly man, hunched over his empty shopping cart, shuffles uptown on Broadway. We both bet no. He looks up from staring at his brown orthopedic shoes when I ask him to join the project.
“Map my memories? All my memories are from here for the last 80 years.”
His accent is the thick Polish-Yiddish one I imagine my father’s grandparents had when they settled in the tenements on the Lower East Side. He lingers on the r’s. I wonder if he was around as *Jewish Harlem* changed to *Italian Harlem* and changed again into *Spanish Harlem. *I wonder what he thinks of the Whole Foods opening 10 blocks away. Or of the mannequins in mesh underwear bent over in the American Apparel store window behind him.
He takes a map.“This is all I know. Is that okay?”
In 2000, the city of New York dedicated a division of the Department of Information Technology and Telecommunication (DOITT) to geographic information system (GIS) mapping. Its prize creation, NYCityMAP, is possibly one of the most complete maps of any city ever made. It was designed to be the first fully integrated map of the city, for use when multiple agencies need to be working from the same document, like in the event of a water main break.
They’ve released an online version for anyone to use. Click on any building in the five boroughs and the map will tell you the year it was built, the real estate owner, the number of floors, the approximate number of units. Select from the menu on the right and you can see all the subway entrances, all the traffic cameras, every garage and off-street parking lot. Last month they added the ability to scroll between aerial views of Manhattan in 2008, 2006 and 1924. Now you can watch old Penn Station emerge from where Madison Square Garden currently buries it.
The Map “may be the first great map in which the old cartographic function, to point a path, matters less than a new one: to provide a picture of everything, in depth, in case, for now,” Adam Gopnik wrote in 2000 when the base map of NYCityMap was unveiled. “Yet the Map, being all maps to all men, will, in its nature, remain forever unfinished.”[[1]](#_ftn1)
On 86th and Broadway, Ama and I spot in a floppy fisherman’s hat man surveying the table vendors selling old books and wire jewelry. Pat Flanagan, he says his name is.
“I just love this,” he says. “You know why? I just moved up to the Bronx, but for the first seventy years, this,” he gestures to Broadway, “this was it. It’s ALL memories. Nights out drinking. Old lovers and heart ache. People think they know this area, but you see that grille?”
He waits until I follow the line of his pointing finger and face the street.
“People pass by this street every day but they never notice that cast-iron fence. It’s got to be over 100 years old. If the subway was built in 1904, and the grilles needed to be there for ventilation from the very beginning… Well let me tell you. Your project is about creativity, yes?”
I nod.
“Well there’s nothing more creative than a bunch of 12-year-olds left to their own devices. I used to hang out there with the neighborhood boys when I was 12 and we would all go exploring. We’d never get in trouble or anything like that… but those grilles are the access points to the subway tunnels. And let. M. Tell. You. It’s like the 19th century down there. I’ll map all of it for you. You’ll be hearing from me, Rebecca.”
The summer after my freshman year of college, I worked on my own Sisyphean project for a nonprofit called CultureNOW: a giant map of all the public art work in Manhattan. My boss insisted that every street be named, every piece of artwork be both labeled and pictured on the front, and cross-referenced on the back, with information about the provenance, artist, location, and material. The selling point of the map, according to my boss, was that it was the “largest compilation of art in the public realm to date.”
For a while, the file was so unwieldy that every time I tried to open it, Adobe self-destructed.
I doubt very much that anyone can make sense of the final product. It’s little more than noise, really—with a super baroque system of organization.
Yet for all that effort to be complete, the map still became, secretly, my vision of the city. Inside my lime green office, I decided what counted as public and what counted as art. Should a carousel count as a piece of public art? What about the statues in the gardens at the UN? Does the UN count as a public space? What about the artwork inside public schools and hospitals?
It’s from this mess that this fractured map project—with its aim to put the work of one cartographer into the hands of many—emerged. The idea was not just to acknowledge, but to *celebrate*,* * * *the bias of the mapmaker, and to recognize the impossibility of completion from the start.
2PM: Ama and I are skidding just west of Central Park when the sky cracks and it starts to pour. Fearing a shoebox full of 200 moist maps, we seek shelter in the cafe by Lincoln Center where I run into my old high school history teacher. We make small talk; I hide my mid-afternoon mojito. Rain slides down the sheets of glass. I jot down notes about the expedition—something about New York starting to feel like a small town, the fear of going up to strangers, wearing off.
The rain lets up, and we stumble out to 66th street. The air smells fresher, and it sticks less thickly. I slip three maps in quick succession through a McDonald’s store window, through the vent in a movie vendor’s ticket booth, into the hands of a Mr. Softee driver.
Just past Columbus Circle, a man is digging through the recycling.. “Can I have two?” he asks. “ So I can keep one?”
42nd street speeds by. Or maybe we speed by it. I’m reminded of David Letterman’s description of it as a petting zoo now that they’ve closed the street down and have reserved it for “pinkening Brits and pooped grandmothers.”[[2]](#_ftn2) I’m also reminded of my Russian roommate’s description of it—it really does look like an airport. But the signs *are *shiny and the theaters really *are* impressive. We hand a couple of cops some maps and they stuff them in the fronts of their uniforms.
34th street zooms by.
Ama and I cut through the Flatiron District, and pass through the nondescript stretch of Broadway between 18th and 13th, where Broadway is the borderland between the Meatpacking District and Union Square. Distracted by some conversation about food—we’re starving by this point--we lose Broadway near 10th street. Finding our way takes 15 minutes. Ama teases me about getting lost in the city I grew up in.
“Where is what you were looking for?” a voice calls after me. High-pitched, giggling.
I look down at a head of duckfluff blonde hair, clumped from the humidity, and further down still at a set of bloodshot blue eyes hidden by glasses. “Truman,” he says, shaking my hand. “And, by the way, what *are* you looking for?”
He slips me a piece of paper: “It is a myth, the city, for anyone, everyone, a different myth, an idol-head with traffic-light eyes winking a tender green, a cynical red. This island, floating in river water like a diamond iceberg, call it New York, name it whatever you like; the name hardly matters because, entering from the greater reality of elsewhere, one is only in search of a city, a place to hide or lose or discover oneself, to make a dream wherein you prove that perhaps after all you are not an ugly duckling, but wonderful, and worthy of love.”[[3]](#_ftn3)
I have to admit, he says, that there is something *essentially elsewhere *about New York. It is a place that people come to precisely because it doesn’t ever offer itself fully.
Truman asks if I can hear it—the typewriter*, *a mile uptown, going clackety clackety schpling in pursuit of *Here Is New York*. “There are roughly three New Yorks,” E.B. White bangs out in his room at the Algonquin during the feverish heat spell of July 1948*.* “There is, first, the New York of the man or woman who was born there... and accepts its size and its turbulence as natural and inevitable. Second, there is the New York of the commuter—the city that is devoured by locusts each day and spat out each night. Third, there is the New York of the person who was born somewhere else and came to New York in quest of something. Of these trembling cities the greatest is the last—the city of final destination, the city that is a goal.”
Or what about those shears? Truman asks if I can hear Gay Talese, a few blocks down the street, splicing together ledes from *Times* articles. “New York is a city of things unnoticed. It is a city with cats sleeping under parked cars, two stone armadillos crawling up St. Patrick'’s Cathedral, and thousands of ants creeping on top of the Empire State Building. The ants probably were carried up there by wind or birds, but nobody is sure; nobody in New York knows any more about the ants than they do about the panhandler who takes taxis to the Bowery; or the dapper man who picks trash out of Sixth Avenue trash cans; or the medium in the West Seventies who claims, '‘I am clairvoyant, clairaudient, and clairsensuous.'’”[[4]](#_ftn4)
New York is always *here *and *there*, n'’est-ce pas? he says*. *You can live here your whole life and never own it. Have it always remain just beyond your reach. It'’s intoxicating. Keeps you on your toes, keeps you drinking coffee, and keeps you walking.
Listen, he says, and Adam Gopnik whispers, “New York is always somewhere else,. “Across the river or on the back of the front seat of the taxi... We keep coming home to New York to try and look for it again.”[*[5]*](#_ftn5)
“How can you map something you'’re still looking for?” Truman asks and skips off.
Our knees ache by the time we reach SoHo, when the numbered streets give out to “Prince” and “Spring” and “Mercer.” It'’s about 4:30pm and the easy conveyor belt of the Upper West Side has disappeared. We'’re pulling ourselves along now. Fifteen maps remain to give out.
“And what, by the way, *are *you looking for” echoes in the Canyon of Heroes.
“Merci beaucoup,” I say, handing the last map to a young Parisian girl sitting at the edge of Battery Park, sketching the water into her book.
Ama and I fall into a bench a few down from her. I’m sore and covered in dirt—literally. I swipe my finger across my chest, and it comes up black and greasy. I am hungry and tired and lost and satisfied and exhausted. We check the time: 6:27pm. I mark it down.
It just feels so good to sit down. To sink into a bench warmed by the summer. We stare blankly ahead, at the pedestrians and the bike riders, at the waterfront just beyond, at the confluence of the Hudson and East Rivers in the distance
I try to remember why this map project meant so much to me. Why I needed to know that I could put a little bit of New York down on paper. Why I would walk 13 miles to capture just a fraction of it. Why I needed to believe that Manhattan would arrive piece by piece to my P.O. Box over the next few weeks.
The waves lap at the base of the Statue of Liberty. My knees ache, my shoebox of maps is empty. I’ve tried my best to find it. I’m physically unable to go any farther—the street stops and the water laces protectively around. Yet the Statue still rises up in the distance, almost mocking my *here*ness. The city is still just ahead, essentially elsewhere. *There*.
[[1]](#_ftnref) Adam Gopnik, “Street Furniture,” *The New Yorker*, November 6, 2000.
[[2]](#_ftnref) Lauren Collins, the New Yorker talk of the town, “Zoo York,”*The New Yorker*, September 14, 2009. http://www.newyorker.com/talk/comment/2009/09/14/090914taco\_talk\_collins
[[3]](#_ftnref) Truman Capote, “New York” *Portraits and Observations, *1946. (p. 10)
[[4]](#_ftnref) Gay Talese, “New York is a City of Things Unnoticed,” *The Gay Talese Reader.*
[[5]](#_ftnref) Adam Gopnik, Iintroduction to *Through the Children's Gate*.
Features • Winter 2010 - Bestiary
Myrddin Wilt, if he does yet breathe, can be found in the Forest of Celyddon. Although some say he is merely a figure of legend, it may be less than prudent to concur with the doubters. After all, they were the men who dismissed the story of Myrddin’s magicking of Stonehenge from across the seas and we know now that the monument’s stone came from a quarry that is indeed across a sea, across the Cardigan Bay, on the southern coast of Wales. Such disbelief, however, is not uncommon in the treatment of this man of the woods. His life, to this point, has not been one of ease, but has been marked, yes, by madness but also by a never-ending struggle against those who would sleight his essential nature, even going so far as to attempt to kill him for it.
His nature is as his name indicates, Wild, or Of the Woods. Once a prince in the world of men, he rules over the forest as king. He speaks the tongues of animals and they listen to him as they listened to Adam, Noah, and the early men of this earth. The society of his animal companions, sometimes the pig, sometimes the wolf, is the only society that Myrddin can withstand for the world of men has driven him to despair and madness. Much has been made of his madness, which unmoored his mind’s eye so that rather than experience the world in the present, as the mass of men do, he sees the future relentlessly unfolding before him. To hear him speak of the future is to put oneself in peril, for, as it is commonly known, foreknowledge is a grave danger to all sane men who encounter it.
Myrddin was, before prophecy struck him, a great lord of the Welsh people, the bearer of a golden torque. He was terrible to meet in battle and his prowess inspired awe from his enemies and friends alike. He had a wife whom he loved dearly and who was deeply enamored of him and his powerful figure. He was, from all accounts, well spoken and well spoken of at court, though he harbored great hostility toward the Christian missionaries who had taken to trumpeting their new faith throughout the land. It might have been because of this animosity that he went mad, though the accounts all differ as to how it happened. What is certain is that he was never the same after the Battle of Arfderydd.
The Battle of Arfderydd was fought on the plains of Scotland before Scotland was known by such a name, between the rivers of Liddel and Esk. Assembled on the field that day were the hosts of the Welsh’s two most mighty warlords, Rhydderch Hael, a Christian ruler, and Gwenddolau, a devotee to the old Gods and Myrddin’s liege lord. It is during this clash of titans that the Gods touched Myrddin. According to some records, he was cursed by one of Rhydderch’s Christian clerics. Others say that it was his discovery that he had slain his sister’s children in the fight that plunged him into turmoil. Some warriors bearing scars from the battle tell of celestial figures that howled Myrddin’s name and chased him from the field of combat, while an equal contingent claim that the champion simply laid down his weapons and walked away from the bloodshed.
Oh blissful dam
if you saw
the sheer violence
that I saw,
you wouldn’t sleep in the morning,
you wouldn’t dig the hillside
you wouldn’t make for the wild
by a desolate lake.
—“The Ohs of Myrddin,” *The Black Book of Carmarthen*
Away from the moans of the dying and injured, away from the grunts of the soldiers exhausting themselves in the attempt to kill their enemy, in the attempt to stay alive themselves, away from the horrible accusatory silence of the corpses, of the cloven heads that bobbed in estuaries of blood, away from that silence, that silence! and into the woods went Myrddin. Off into the wild he flew “like any bird of the air,” if the Gaelic record *The Frenzy of Suibhne* is to be believed. He landed in an apple-tree in the Forest of Celyddon and was to stay there for many years. In that forest, the forest where the madmen searched for their sanity, he lived with the animals. He slept in the boughs of the oak trees and lived on a diet of nuts and vegetables. It was among the animals that he hid as he sought protection from King Rhydderch who he was certain was trying to kill him. It was to the animals that he foretold the coming of Cadwaladyr, the great King who would unite the Britons and bring peace. It was to the animals that he spoke as he attempted to find peace with the violence of his kind.
Perhaps it is this preference of the world of animals to the world of men, the possibility that Myrddin harbors deep reservations about humankind, that spurs some chroniclers to deny him his madness, to deny him his time in the forest. Believe it if you wish, but there certainly seems to be a coterie dedicated to extirpating him, or at least Myrddin as he truly is, from the records. Geoffrey of Monmouth not only Latinized the Welsh, changing Myrddin to Merlinus (lore has it that he chose this name because Merdinus—the logical Latinization—would have been too closely associated with the Anglo-Norman word for shit, merde) but he also expunged Myrddin’s madness and his sylvan life completely in his *Historia Regum Britanniae*. In fact, this “Merlin” was prescient from his earliest days, always able to divine the future’s truth, and is brought to the court of King Vortigern when yet a child. Geoffrey did try to amend his factual errors with his later work, Vita Merlini, in which he does recognize Myrddin’s time in the forest and the horrific genesis of his foresight, but the process of recasting Myrddin as Merlin, of siphoning away the man’s spirit to feed a fantasy was begun.
In one account of his madness from the Gaelic tradition, Myrddin brings his madness upon himself by trying to spear a cleric after the cleric sprinkles him with holy water. It seems that the Welshman had found the ritual to be insulting. Close to six hundred years after this event, Robert de Boron, a deeply Christian French poet of the late 12th century, completed the cleric’s work—or at least did so in writing. Through his Merlin, he began to convince Europe that the man was a Christian. The unknown father in Geoffrey of Monmouth’s account becomes a demon and Myrddin’s otherwise troublesome paganistic aspects could be neatly explained away as the result of his devilish heritage. But his demonic blood, manifested in his full head of hair—a sign of his bestial associations—and his perfect knowledge of the past, which could be no other than a full acquaintance with pagan lore, is counteracted by his acceptance of the Christian faith. His mother has him baptized, neutralizing the threat of ungodliness and transforming the troubled antichrist into a leader of the Christian world. Gifted by God with knowledge of the future (for Christianity’s God is the future as Boron takes pains to make evident), Merlin spends his life as the courtly adviser to King Arthur and his knights. By Boron’s book, Merlin’s prophecies and magical powers are useful tools in creating the most perfect Christian world possible. Discounting a brief time masquerading as a shepherd so that he can usher Arthur into the world, the woods, the wilderness, the outdoors, seem to have been successfully exorcised from his person. De Boron’s account presents as self-evident the obviously false idea that Merlin was a man of the courts rather than of the woods.
In fact, when Myrddin is removed from his arboreal kingdom, it is known that he becomes terribly depressed and is prone to retaliate against his captors with awful pronouncements. Geoffrey of Monmouth, referencing earlier records, tells of Myrddin being captured by his sister, Queen Ganieda, and being brought back to court. There, he refuses to speak a word about his experiences and suffers civilization in silence. That is, until one day, when he sees the King Rodarcus, his sister’s husband, remove a leaf from his sister’s hair. He laughs and there is a quality to the laugh that like the fury of a waterfall about to crash against the rocks, excites and frightens the King so that he must know why the madman is laughing. The King will give him anything to know, to know, from whence this secret mirth bubbles, finally promising to allow Myrddin to return to the woods. The response though, could not have brought joy to Rodarcus for Myrddin tells him that the leaf became entangled in her locks when she lay in the woods with her lover. Myrddin tells the King that his great love for his wife is unrequited. She loves the man with whom she lay that morning under the trees of Myrddin’s forest. And then Myrddin laughs because he shall be free.
The records of other men exposed to Myrddin’s prophetical voice are equally joyless. In one account, Myrddin orders his wife to remarry—his love for nature leaves no room for any other—on one condition: that he never lay eyes on her husband. On the day of her marriage, he comes riding to her, astride a great stag, shepherding herds of animals that he desires to give to her. However, as she comes out to meet him, her husband catches sight of Myrddin and laughs at the man riding a deer. Like thunder is to lightning so is laughter the warning that Myrddin is about to strike. If you hear the sound in his presence, it is best to leave as quickly as possible. Myrddin, hearing the laughter, knows exactly who makes such noise and, turning to look at the man, flies into a rage in which he tears the horns from his stag and assaults the bridegroom with them. And then he disappears back into the shadows of the forest.
The Myrddin that rides off in a burst of speed, astride his bloody steed, slicked with sweat from the exertion of ripping the antlers from his mount, lost in the exhilaration of dramatic action, is a far cry from contemporary depictions. The man who crushes his wife’s betrothed with a blow of the antlers is a virile, albeit chaste, being. He is strong and powerful, a warrior who simply chooses not to fight, a noble savage, not the doddering octogenarian in which his spirit—whatever is left of it at least—has been incarnated. Sir Thomas de Malory introduces this misconception in his romance, *La Morte D’Arthur*, as he writes that Merlin, after being ignored by Arthur when appearing as “a child of fourteen year of age,” “came again in the likeness of an old man of four-score years of age, whereof the king was right glad, for he seemed to be right wise.” After Malory, the choice that Merlin makes to assume “the likeness” of an old man is forgotten. The association between age and wisdom becomes primary. He becomes an old man because he is the wise councilor. Age, rather than the touch of madness, becomes the font of wisdom and Myrddin Wilt finds himself further effaced.
Becoming thirsty, Merlin leaned down to the stream and drank freely and bathed his temples in its waves, so that the water passed through the passages of bowels and stomach, settling the vapours within him, and at once he regained his reason and knew himself, and all his madness departed and the sense which had long remained torpid in him revived, and he remained what he had once been—sane and intact with his reason restored.
—*Vita Merlini*, Geoffrey of Monmout
It is recorded by Geoffrey of Monmouth, even if the surviving Welsh poems do not acknowledge it, that Myrddin does eventually recover his sanity by drinking from a newly born stream. Restored to his senses, though still empowered with the vision that his madness had wakened, it is said that his first action was to praise nature. For Myrddin, there is nothing that can compare with the world of the forest. The forest is Myrddin’s home. There he lives and there he one day shall die.
Thomas Malory’s *La Morte D’Arthur* tells of how the lady of the lake refuses Merlin’s love because she was “aferde of [Myrddin] for cause he was a devyls son.” This sentiment seems to characterize Merlin’s later “chroniclers” as well. They are afraid of Myrddin’s true nature. They age him, remove him from his natural habitat, and create a force to tame him—Vivien’s seductive charms. However, even in such stories as that of Malory and Alfred Lord Tennyson’s “Merlin and Vivien” they cannot deny his sylvan roots. Even if they remove him from his life’s rightful realm, they allow him to return there for his eternal sleep. Even if they cloud his reason with lust for the lady of the lake, they are unable to do away with all of his aboriginal tendencies. Malory tells of how Merlin returns to the earth, how he goes “under the stone to let [the lady of the lake] wit of the marvels there, but she wrought it so that for him he never came out.” Alfred Lord Tennyson, while reducing dignified Myrddin to lecherous Merlin, an old man allowing the needs of his “dying flesh” to lead him into doom, depicts the final moments of Merlin’s life as occurring among “the ravaged woodland” and ends the poem with Merlin sleeping forever not simply within the forest, but within a tree: “in the hollow oak he lay as dead, / And lost to life and use and name and fame.”
So Merlin, Myrddin, is sentenced to sleep. The fantasists—Monmouth, de Boron, Malory, Tennyson—are unable to destroy his presence. His animal magnetism is too robust, too vibrant, too wild, to be fully washed away by the waters of baptism nor predictable enough to be channeled properly in the world of the court. And so they invent the myth of his lust to draw him out of the court, back into his wild world of the forest and there sentence him to sleep, not death—they do not have that power of the pen—and they proceed with the stories that they are interested in telling. They chained him to their purposes, forced him to usher Arthur into the world and to his throne, all the while denying Myrddin his own true history. And then they cast him off, back into the forest from whence he came. But, Myrddin, even in his sleep, even as they have imagined him, laid to rest in a tomb encased by earth or oak, remains their nightmare, the specter of the natural world, not yet bent over by Christ or civilization. He haunts them like wolves circling just beyond the light of a campfire; they cannot distinguish the forms but they can feel the presences. In response, they crowd closer around the fire. On the outskirts of their minds, hidden in the caves that they have long since run from, they know he, Myrddin, is waiting with the knowledge that primeval nature is not something to be afraid of—simply to respect—and that terrifies them even more.
When I remain under the green leaves the riches of Calidon delight me more than the gems that India produces, or the gold that Tagus is aid to have on its shore, more than the crops of Sicily or the grapes of pleasant Methis, more than lofty turrets or cities girded with high walls or robes fragrant with Tyrian perfumes. Nothing pleases me enough to tear me away from my Calidon which in my opinion is always pleasant. Here shall I remain while I live, content with apples and grasses, and I shall purify my body with pious fastings that I may be worthy to partake of the life everlasting.
—*Vita Merlini*, Geoffrey of Monmouth
Myrddin Wilt, if he does yet breathe, can be found in the Forest of Celyddon. Perhaps he is singing, for he is, they say, as gifted in voice as the famed Taliesin of the golden brow. But, if he has died in the centuries since he was last beheld by mortal mind, if the word-sorcerers de Boron and Malory have succeeded in stealing his soul to animate their fantastical courtier-counselor, Merlin the magician, and Myrddin Wilt has sunk into slumber, then, it is said, wait for the time of the great King Cadwaladyr’s return, when the steel cages shall crash to the ground, the black tar shall be uprooted, the endless fires shall be extinguished, the silver dragons that belch smoke into the sky slain, and Myrddin Wilt shall once again walk with the lonely wolf, ride the crownless stag, and speak prophecy to the pig.
Fiction • Spring 2012
I want to preface this by saying that scorpions have never really killed anyone. At least, not in Arizona. Not since the forties. And even then, there were probably other complications. I mean, I don’t know the specifics. I don’t even know if it was a man or a woman. But it’s easy to imagine. Sick, dehydrated. Probably got stung while out hiking. Inexperienced traveler, and all that. The kind that thinks you can climb South Mountain, no sweat, with no training and a small bottle of water. My dad used to call them “hippie climbers,” the ones who say your body is the source of all energy and a man can climb Olympus as soon as a tree in his own backyard.
My sister latches on to this last reference. “Exactly,” she says. “Hippie climbers. How do you know we’re not turning into hippie climbers?”
Because, I say. These scorpions are in your own backyard. I’m a little thrown by her hesitation. We grew up with scorpions. June and July are Scorpion High Season but we’re trained to react any time of the year, really, turn on a dime when we see the tail tucked up like a dog’s and the two wide pincers and the small pinpoint black eyes and the yellow-brown splay of its eight legs (scorpions are arachnids, I have to tell people out East. Not insects. Also, not lizards. I’ve gotten that before. It’s the tail.). I haven’t lived in Arizona for years now but I haven’t lost the instinct; a well-shaped piece of lint or a curl of rubber on the floor of the garage starts me up every time. But not because scorpions are particularly dangerous. I honestly can’t imagine anyone dying by scorpion unless they swallowed the thing and it stung the shit out of their stomach or something. Or maybe if it were a baby. And there were other factors. Lung trouble.
My point is, they aren’t killers and my sister should know that. We just vacuum the suckers up. I’ve used overturned glass jars, slippers, books, a chair, a hammer, pretty much anything to smash scorpions, or to trap them until I can get back with something that will. She’s done the same. It isn’t anything to holler about, because scorpions come with the territory. We grew up with them the way most people grow up with Velcro or Lunchables. And we rarely miss.
There isn’t anything a hospital can really do for scorpion stings, but I say this as a comforting thing. I mean that most people do just fine without any help at all. A nurse will tell you to drink some fluids and maybe, if you’re elderly, put you on watch, but otherwise they turn you loose right away. Most of the sharper pain that comes with the sting goes away after twenty-four hours. The muscle spasms and tremors stop after about ten, and are more annoying than they are anything else. The rest is an achy soreness that rides itself out in a few days. I’ve heard some people say there are experimental antidotes now, that they’ve administered them in extreme cases. Wimps.
My sister lives right up against a mountain range. The desert practically spills into her backyard. She’s had snakes, javelinas, raccoons, the works. It’s what happens when your lawn makes up a majority of the greenery within a ten-mile radius. Most folks might be surprised to find that scorpions are the real trouble. You can keep the rest out with a good fence and wire. She’s getting three, four scorpions a week in the house now. Like I said. High season.
We aren’t that close, to tell the truth. She called me up a few months ago, something about she heard it was a hard winter. It was March, and we were coming out of it, so it’d been a little odd. She said what did I use, antifreeze? Did the street plows make it to my neighborhood? I said my fireplace had crapped out but we’d made it through okay. It was the first time we’d talked in a year. Then she called in April, said that we both knew summer wasn’t the best time but did I want to come home. She called again the week after, said I could come anytime, really, she and Todd didn’t have any plans. I took the hint. What the hell. We’re family.
I can’t remember the last time I’ve been back. The airport’s changed a lot. They’ve gotten rid of the old carpet with the pixelated phoenixes and put in a nice tiled vinyl floor. New murals, too, with accents in hard red and blue glass and the typical desert fanfare, pastel sunscapes, that kind of thing. Still, the first thing I notice is the way the air hits you, stepping onto the jetway. It even smells hot, suffocating in that way that you start to feel under your armpits, anywhere where skin touches skin, really. Dry enough that you can look out at any yellow, brittle excuse for a lawn and feel the life withering. Every building, every street, every sign becomes a reflector for the sun, another surface of heat and light. Can’t say I miss it.
The people look washed out, too, even my sister. Her hair and eyes are dull and she’s skinny, not in a good way. She’s always been the skinny one but this, this isn’t a good look for her. I wonder if it was high school when we started being less. When she and her killer legs and her sheer enthusiasm had gotten her any boy she wanted. I had been tall, but that was all, just tall, and occasionally athletic. It hadn’t felt so long ago, but seeing her here now it suddenly does.
She pulls me into a hug and plants a weak kiss on my cheek. I hold her tight, then tighter. She likes hugs, I remember that.
“Todd couldn’t make it,” she says. “Something came up at work. As usual.”
“As usual?”
“You can catch up at dinner.”
“No problem,” I say.
“Luggage?” she says. We make our way down the escalators to the baggage claim. She isn’t talkative. I can’t remember if that’s a new thing.
“So what’s new?”
She shrugs. “Everything’s pretty much the same.” She shoots me a quick look. “I missed you.”
“Love you, too,” I say.
She smiles a little at that. “How long since the last time you were here?”
“I’ve been trying to figure that out too. Four years, maybe?”
“Longer than that,” she says. “It was before Todd switched jobs.”
I don’t know what to say to that because I honestly have no idea. I spot my suitcase and haul it off the carousel, and then we head to the parking lot. The air hits me again when the doors slide open. God, it’s hot. “It’s getting to be bad out,” Jess says apologetically.
“I remember,” I say, even though I don’t feel like I do. I don’t remember having to cope. It just was the way things were. A hundred and fifteen degrees out, and rising. No big. Keep the AC cranked up. Park in the shade. It suddenly hits me that I’ve never invited her East. Not recently. “You should come visit,” I say. “Escape the heat.”
She just nods. I wonder if I’ve offended her somehow. Like she thinks I only offered because she did first. She did choose to stay, after all, all those years ago. Arizona’s always been her home. But seriously. It doesn’t mean she can’t travel.
“Next summer,” I say. “June. July. When it feels like this.”
“That’d be nice. I’ll ask Todd.”
Her car is tan, and a Toyota. She’s so predictable.
“I’ll help you make dinner,” I say.
“Now?” she checks her watch. “It’s four.”
I shrug. “Then we’ll make a big dinner.”
“There are only three of us,” she says, but it’s half-hearted.
“Jess,” I say. “We should celebrate. It’s been four years.”
“Longer,” she says.
She’s a little livelier in the kitchen, which is a relief. Jess got more than just the looks in our family. She got most of the skills. Cooking included.
“Do you remember,” she says, “when you made Mom scrambled eggs in bed for the first time? And you didn’t know how they got scrambled, even though it was the easiest thing ever, so you fried an egg normal and then ripped it up into little pieces?”
I do. Mom had been recovering from strep. She’d laughed so hard she’d practically hacked up a lung. She said it was like me, to think of a difficult solution to any problem, no matter how easy.
Jessica goes into the pantry, then pauses. “Kate, will you get the vacuum? It’s in the closet by the stairs.”
I feel that familiar twinge of adrenaline. Just enough to get your heart to pick up the pace a little. When I return with the vacuum I peer over her shoulder (I am still tall) at the bent legs and the fat, yellow body. It moves suddenly, runs along the baseboard with the tail straightened behind it. The vacuum slurps it up.
There was a time when we’d used a modified vacuum, specially designed for this express purpose. It was called the Bug Sucker, and it had a clear, hollow, triangular foot you could use to trap whatever bug you wanted before you switched the suction on. Inside was a tiny mesh cartridge with a one-way door. Once we were good at the trapping and sucking on our own, though, we swapped the Bug Sucker out for a regular vacuum. You didn’t have to change the cartridges as often.
“We don’t get those on the East Coast, you know.” “Still gets you going, huh?”
“’Course. Doesn’t matter how long it’s been.”
Jess puts away the vacuum. “They’re getting worse.” “It’s July.”
“Still. I think there’s an infestation or something.”
The door opens and Todd comes in, throwing his keys into a crystal bowl by the door. I sent them that bowl for their wedding.
“Hey,” he says.
“Hey,” Jess says. “You’re home early.”
“Meeting got cancelled. Hey, Kate. Sorry I couldn’t come meet you.” He comes over and gives me a hug. He smells faintly of cigarettes.
“We’re having a big dinner,” Jess says, putting her hands in a mixing bowl. She kneads, hard.
“Great. I’m gonna get washed up, and then I’ll help.”
“No, don’t worry about it. I can manage.”
“It’s fine.”
“You don’t have to.”
“I want to.”
Jess watches him go, her hands still in the bowl. She rests her wrists on the edge, her fingers in the dough.
“You didn’t tell me Todd smokes now,” I say, to fill the silence. “Doesn’t that drive you crazy?”
“He doesn’t smoke,” she says, but her brow furrows and she looks faded. Like the art projects we used to make in elementary school out of construction paper. Our teacher would hang them in the window, and in a couple of weeks you could flip them over and see the color the paper used to be. Those windows were tinted, too.
Todd yells from the next room and we both jump.
“Coming,” Jess sighs. She wipes her hands on a towel and heads for the closet.
“You gotta do something about them, Jess,” I say, following. “Call the Terminator.” Our little joke, when we were kids.
“You mean the exterminator.” Jess doesn’t remember. “Todd doesn’t want to spend the money. It’s not a big deal, it happens all the time.”
“You said yourself there might be an infestation. And as for the money—” I shrug. “Do it yourself. I’ll help you.”
“With what?” she’s exasperated now. “We’re thinking about getting a puppy. I don’t want poison all over the yard.”
“Jess!” Todd yells, and Jess moves a little faster.
“I’m coming! I’m coming!”
“Too late.” He comes out into the hallway, his tie undone. “I lost it somewhere under the bed. Christ, Jess.”
“Todd’s from Chicago, you know,” Jess says. “I don’t think he’s used to it yet.”
“Can’t you call someone?” Todd yanks on one end of the tie and it slips out of the collar in a whiz of silk.
“What about the dog?”
“Dog?”
“The puppy.”
They stare at each other a moment.
“Yeah,” Todd mumbles. “The puppy. Right.” He turns back into his room and closes the door.
Jess lets out a breath, then nudges me gently into the kitchen.
“Todd’s been a little stressed lately,” she says.
"I get it,” I say. She starts to knead again, and I pull up a stool at the island, facing her. It’s silent, except for the smack-smack of the dough against the sides of the bowl and the distant hiss of the shower. Her hands press, press, the tendons standing out, knuckles rising and sinking under her tan skin.
Todd was the reason Jess stayed, and part of the reason I left. Our mom used to worry because I had never been in a relationship longer than a handful of months. “Love will settle her,” she kept saying to our dad. Todd was everything I was afraid of. I’m no rocket scientist or New York exec, but at least I don’t live here.
“Jess, let’s do it,” I say. “The scorpions. It’ll give me something to do.”
Scorpions, as with most desert life, are nocturnal. No surprise there. We go out back after dinner with a flashlight and a couple of slippers, the wine warm in our bellies. The night is a different rendition of heat. Duller, worn, like a tired argument. I go up to the edge of the dying grass, scan the yard. There’s a bed of gravel in the back, butting up against the low brick wall that runs around the house. Along the top of the wall stands a standard metal fence with vertical bars every five or six inches, and Jess has boarded up or run wire tight through the gaps where it meets the brick. I flash the light down the sides of the house, which are lined with stones, turn it towards the edge of the pool, shine it on the grill. We take a few steps towards the barbecue, crouch down on the concrete. We’ve only been out a few minutes, and already I can feel the sweat pooling in the dips behind my knees.
Jess’s hand flashes out with the slipper and smacks down hard on the cement. She’s almost pulled back before I hear the soft crack, and my light refocuses on the juicy cud, tail twitching, a couple of the legs waving slowly. The tail keeps going even after the rest of the body stops. That’s the thing with the tail. When I was in middle school my friend’s mom smashed a scorpion with a textbook, and got most of the body, though she missed the stinger. When she lifted the book off, the tail got her in the wrist. She had a numb arm for a week.
I nudge it with my slipper and it flips over, leaving a dark smear. “Nice work, Jess. Got it in one.”
“I wish they weren’t so hard to find,” Jess says, peering around her feet. “They’re never around when you want them. Watch your ankles.”
“I know.”
“Babies, too. They’re everywhere.”
“I know.”
The babies look exactly like adults, only in miniature, and are a lot lighter in color. Some are even orange, the color and translucency of an overripe cantaloupe. They ride in a cluster on the mother’s back, sometimes stacked three deep, and they’re always falling off. Usually you find one, you watch out for more.
I shift uncomfortably on the balls of my feet.
“So you’re thinking of getting a dog, huh?”
“Maybe. Why are you so surprised?”
I shrug. “You didn’t like our dog all that much, when we had one.”
“It wasn’t that I didn’t like him,” Jess laughs. “It’s that he was always messing up our fun.”
There had been a lot of fun. We looked forward to every spring, however brief, when our mom trimmed the garden. We had huge rose bushes, though most of the flowers died, of course, even as early as April. But when the heavy heads of petals were still soft and full, we stole the pruned branches and cut off the thorns, then shaved the green skin off with a knife. Then we sparred with what was left. Our dog, Bungee, tended to gnaw on the weapons a little, especially when we left them out in the sun. For curing.
Before that, we had played with Legos. We each had our own house. Her people were the Maytrees. Mine were the Momdads. I could still name the people. The engineering twins, Eugene and Genette. The ambitious pianist, Eliza, and the Jedi wannabe, Obi-Now. There was the failed robotic experiment and exercise in artificial intelligence, Bozo, and the runt of the family, Wimpy. He’d met his end in an appropriately stupid manner when Jess had taken Wimpy and Obi-Now outside in their van. I’d discovered Wimpy’s shiny yellow head and parts of the van in one of Bungee’s deposits on the lawn the next day. Obi-Now had never been found.
She knows what I’m thinking and gives me a shit-eating grin that I remember from high school. It’s true, what people say about being happy. For that one second, she looks younger.
I find another scorpion on the side of the barbecue and strike at it with the flip-flop. I miss and it falls to the concrete, stunned until I hit again. This time, I feel the sweet press of it under the sole before my hand rises and comes down one more time for good measure. The hand of God, striking it down.
It goes on like this for a few more nights, though we only find a couple each time. Jess looses the bloodlust another night in, and I feel like some kind of soldier general at breakfast trying to get her to agree to one more sweep. Todd is oddly silent on the issue, and though Jess doesn’t say anything I can tell she thinks he isn’t taking our actions seriously. I don’t blame him. At two or three a night we’re hardly wiping out a nest, and we’re still finding ones in the house.
Jess glances at Todd when he comes out for breakfast. His suit is pressed, and his shoes have been buffed. He wants my opinion on the tie he’s chosen.
“You look sharp,” Jess says, then adds, “For someone boarding a plane.”
“Well, it’s San Francisco, they have standards there.” He whistles while he pours himself a cup of coffee and scoops Jess’s famous scrambled eggs onto a plate.
“I don’t see what the point is if you’re just going to change.”
“I’m going straight to the conference.”
“Todd has had a lot of out-of-town conferences recently,” Jess says to me, but her eyes are fixed on Todd. “I hope they realize it. How hard you’re working.”
“Well,” he says, “Maybe I’ll get promoted.”
He shovels the eggs down and goes to retrieve his briefcase.
“Are you sure you don’t want me to drive you?” Jess says.
“No. Thanks,” he brushes past her and gives her a quick kiss. “Don’t bother. I got a cab. See you, Kate.”
It’s Jed, one of our mutual friends from high school, who mentions the blacklight trick when we meet to catch up over lunch and mention we’re becoming proficient in scorpicide. Jess and I head down to a hardware store right after and ask someone in the front. It’s no urban myth, apparently.
I’m surprised you didn’t know,” the store clerk says, and looks over at Jess. “You’ve been living here how long?”
Jess manages to look appropriately abashed.
“The scorpions light up like a sick Christmas tree. It’ll scare the crap out of you, first couple times you do it. Did me.”
“Blacklight? As in, fly traps? And the eighties?” I envision Jess erecting a neon display in the backyard. “Yeah. You can get it in a flashlight. Here, we’ve got an easy display. Show you what I mean.”
He leads us towards the back to a counter, where they’ve got a couple of scorpions along with a rock and some sand in a glass jar. One rests uncomfortably up against the curved slope of the wall, like it started on the offensive and lost the will to go on. I’ve never seen the underside of a scorpion before. I feel a little sick looking at the mechanics of the jointed legs, how they plug into the segmented abdomen like piping.
“It’s quite the demo,” he says, reaching for a flashlight. The bulb flashes on, tinting the shelf and the sand in a familiar, boozy glow. Jess leans in closer, the white accents in her shirt standing out. There’s no mistaking it. The scorpions brighten into a low acid green.
“What the hell,” I say.
“Wanna give it a try?” he passes the light to me, and I bring it in. Brighter. Greener. One of the scorpions raises its tail hesitatingly.
“Do they all look like this?” Jess asks.
“Well, living here you’ve got yourself sixty different species, but none of the blue-turning ones. They’re black, normally. Emperor scorps. Whole different classification. We don’t have them in AZ, you know.” He says the letters, ay-zee. People do that here.
At the checkout counter, he bags the light with a few batteries and a heavy-duty localized-only spray. “Don’t look into the light,” he winks. “Seriously, though, you’ll go blind. Good luck, ladies. Happy hunting.”
Todd’s still away on business, so I accompany Jess to the mall for a movie and whatever else she feels like. I sip a soda slowly while she runs her hands up and down some dress shirts, trying to decide green or blue for Todd. She says he complains a lot about his clothes, these days. That they’re all old. She doesn’t put in her usual effort and ends up asking the saleslady which men’s shirt is the most popular. When they don’t have Todd’s size, we leave.
There’s not much in the way of fun in Arizona. Most outdoor activities you can scratch right off the list. You could go hiking, though you’d need to be up at the crack of dawn for it not to be a suicide mis- sion. You could listen to the world’s worst city orchestra if you were one of Arizona’s rich. Just imagine a school band gone pro. Halloween, walk a desert trail populated with luminaries. Or luminarias, as the Jo-Ann Etc. crowd call them. And Christmas: lights with the family at the local Mormon temple. Some might be surprised to discover you can ski in Arizona, December through March. That’s right. Flagstaff is just a four-hour drive from Phoenix. Though that might be changing, too, with the new highway they’re setting up. I guess even Phoenix has to start speeding up, like the rest of us.
People visit, they keep saying there’s got to be more. And they’re right. There’s probably a hole-in- the-wall Peruvian restaurant somewhere next to a laundromat. People would probably get up to more crime here, if the heat didn’t sap even the will to live. It’s an exciting day if you run into someone with an unusual name, like Bryan or Siobhan.
Arizona’s genuine, though, even if it is in a backwoods, cowboyin’, rodeo kind of way. I’ll give it that much. They name streets and neighborhoods with the same kind of come-from pride that D.C. does. Only, instead of district blocks of presidents, we’ve got Hohokam. Ahwatukee. The Superstition Free- way. Some people like the idea of driving around in their air-conditioned cars and looking out over the fenced-off Indian reserves, feeling like maybe some of that tradition still applies. They like the atmosphere. Still, names only go so far, and we haven’t got enough atmosphere to get a plane off a runway. The scorpion light thing is probably the highlight of Jess’s summer.
When we go out that night, though, even I have to admit that the blacklight is more than I expected. Jess switches it on way in the back and outright screams. In the dark the effect is the store demo times ten. Each scorpion—and there are twenty, thirty at least—is like a little scurrying light, brighter than a glo-stick. Bright enough to convince you they’re lighting up from the inside. There are whole clusters of them with chalky, neon-green tails and pincers, curling up, scuttling left and right in the purple-washed dark. The sand throws up freckles of purple light, and highlights from the flashlight flare in thin reflections along the metal bars, along the shiny hood of Todd’s grill.
“Holy shit.”
“I wish Todd could see this,” Jess whispers.
One crawls a little closer along the wall towards us and she backs into me, so I take the light from her, raise the shoe in my right hand and crush it. It drops to the stones below, bouncing like a rubber imitation. That starts them all up and it’s a sudden free-for-all. There’s a part of me that enjoys this, a twisted game of whack-a-mole that gets Jess a cleaner house, but as I lay into a fourth scorpion I realize my hands are clawed. Fighting off Arizona, one scorpion at a time.
Jess is freaking. Really, truly freaking. “Shine it over here! Shine it over here!” she shrieks, and she raises the spray bottle and starts squeezing off rounds into the oleander bushes, where scorpions hang on the low branches and exposed roots like some kind of alien fruit. “Over here, Kate! I can’t see!”
I wish we had two flashlights. I wish there were about four more people here smashing away.
“Oh my God. Oh my God,” Jess keeps saying, her hands fumbling with the spray. “Kate! Kate!”
I feel the drops on my leg and shriek, “What? What is it?
“It got me! It got me!”
“What?”
Jess is clutching her ankle.
“You need to lie down!” I shout at her. “Go inside!”
“What the hell!” she screams at the ground. She hobbles around, stomping on the scorpions by her feet. I have to grab her arms, and both of us nearly fall over with the effort.
“Inside, Jess! Stop it!”
“You’re not the boss of me!” She lets go, drops the spray, then the slipper. “I’m sorry. I’m sorry. It’s my fault. I didn’t mean it.” She lets me run an arm under her shoulders and keeps whispering apologies as we stagger across her lawn.
Inside, I lay her down on the floor and run to grab her a glass of water. She’s still whispering apologies, only now it’s so faint I can’t make out the words.
“Shut up,” I grit my teeth, and she stops with a surprised look on her face, like she didn’t know she was still talking. By the time I kneel next to her with the glass, the sweats have already started, and her leg is doing little tremors. The muscles in her neck twitch.
“It’s fast,” she says, almost in awe. “Did you know it was this fast?” “You’re gonna be fine. Do you want to go to the hospital?” “What for?” she says.
“Nothing. How’s your breathing?”
“Fine,” she says, calmer now. Her leg jerks up and down. “I’m good.”
I get her another glass, lean up against the island while she downs it. When she’s done I lay down on the floor next to her, put my ear to her chest.
“I’m still fine.” It sounds fuzzy to me, though, and the two of us fall silent, listening to the rasp of her lungs.
“There’s an antidote now,” she says suddenly. “The FDA approved it. It was in the news last week.” “Do you want it?”
“It’s for extreme cases.”
“Oh.”
“Mine’s not extreme,” she clarifies, like I didn’t know.
“Do you want me to call Todd?”
“No. Shut up.” Then she says, “Get me a pen.”
I get on my knees and feel around the countertop for a Bic. Then I crawl back to her. She sits up and draws an uneven line a few inches above her ankle.
“What time is it?”
I tell her. She writes it next to the line. Then she lies back down, still holding the pen.
Ten minutes later, she asks again. She prods at her leg like it’s some kind of meat and draws another line an inch higher. Marking the numbness. The numbers are backwards, facing her.
“Shut up,” she says, when I open my mouth to speak. We lie there for another ten minutes, then twenty. Her hands are crossed over her stomach, the pen uncapped in them.
“Todd’s not away on business,” she says to the ceiling. “He’s having an affair. What time is it?”
I tell her. She draws another line.
We end up sleeping on the kitchen floor. I wake up every half hour and check her breathing, but it’s relatively smooth. Her leg dances every now and then, but for the most part it lays flat. The lines go half- way up her thigh now, though she lost interest an hour or so in, and the numbness had slowed by then anyway. We try meat tenderizer, the kind with papaya extract it in, and make it into a little paste for the puncture wound, to help break down some of the proteins in the venom. She makes me take pictures, then sniffs at it tenderly.
“My leg smells like a chemical hazard,” she says.
She starts to talk about Todd, how over the course of three months he’d been really attentive and then been sullen and reserved and then been irritable and called her suffocating, and how she should’ve figured it out. How she’d called the office for some reason or another when he was gone once and found out there wasn’t any conference in LA. How much the co-worker on the other end of the line had pitied her. How she’d noticed the cigarette thing, too.
Her breathing gets worse, then, and so instead we talk about how the last time we’d fallen asleep together in our house she’d been four and wet my bed and I’d refused to let her sleep there ever again. How when she was older I still hated sharing a bed with her on family vacations, because she kicked in her sleep. How she was always getting into trouble, how in elementary school she’d hacked into the school server once and found the full names of all her classmates and pulled all three names on anyone who messed with her. How they’d had no idea how she knew these things, were even awed, and the principal had to tell her to stop. He’d also asked her to stop trying to catch birds in the parking lot for class pets.
“You were so smart, Jess,” I say finally. “And so funny. You were snatching birds. And hacking into computers.”
“I told you, it was an accident.”
“You middle-named kids. That’s kind of manipulative.”
“You say that like it’s a good thing.”
“You were smart. Really smart.”
She narrows her eyes at me. “Not everyone wants the same things,” she says, but it’s half-hearted.
I get it. It’s the difficulty of freedom. The taxonomy of living.
“You know, Arizona isn’t this awful place you make it out to be,” Jess says. “I don’t think you hate Arizona. I think you hate us. The people in it. For not thinking big, like you.”
“That’s ridiculous.”
“Look,” Jess says. “Some things find you. It doesn’t really matter where you are. Look at me and Todd. I was mad at her, at first. I wanted something bad to happen to her, something really bad, and for a while I thought about finding out who she was. But then I realized it wasn’t about her. It was Todd. The jackass.”
By then she is exhausted and a couple of Advil have dulled the pain enough for her to finally doze off, the sweat drying on her brow. Her eyes spin erratically under the lids. I keep checking her fever, and every time I check I wake her up, until she finally snaps at me to cut it out. We lay there together, drifting in and out. Her leg jerks and she kicks me in my sleep.
In the morning, she makes me take a nap while she showers, her leg mostly under control. I wake up with her bent over me, her hair fresh and her eyes puffy but lucid.
“Before we kill all the scorpions,” she says. “Let’s catch some.”
The ants have carried away most of the dead, though there are a few bodies tossed brokenly in the gravel, like this is some mob dumpsite for scorpion killers. Their bodies have already shriveled in the heat; the stringy gristle left behind is testament to a sun that never ends. I remember learning in the third grade that the sun would give out one day like an old man’s back, and thinking at recess while we fought for the shade that my teacher couldn’t have meant our sun, the same one that beat down and first made people restless and then filled them up heavy with its exhaustion. Scorpions can survive minutes in a microwave, hours underwater, even months without food. But Arizona always gets the last say. In the end, all anything ever is here is dead, then dried, then dust. Sometimes before the next sun even rises.
Jess stands in the lawn, keeps weight off her right leg. She watches as I flip the discarded sandals over in the dirt with a nudge of my foot, make sure there’s nothing living underneath. Same with the spray can, which goes flying. Guess Jess used more than we thought. We spend the rest of the day indoors, organizing old photos while watching television. Jess doesn’t even get off the couch for lunch, so I bring her some canned soup heated in a bowl. Todd calls sometime in the afternoon and I turn down the volume on the TV. Jess sounds tired but even. Doesn’t mention last night. She rallies a little at the end, asks him how San Francisco is. If the weather’s nicer. I hear him say something about low seventies and a jacket at night and she rolls her eyes at me, mouths the word jackass.
“I almost asked him to bring me something back,” she says when she hangs up. “But I thought that might be too obvious. God, is television this bad everywhere?”
She’s picked out a jar, drilled some holes in the lid with a spare nail, rummaged in a drawer of kitchen serving spoons and salad tossers and cheese graters until she’s found a couple of tongs. She sees my face and calls me a wuss. It’s not the same, though. Tongs mean prolonged contact. I like the hit and run version better. She gets the light and limps outside and I follow, picking up our old hunting equipment.
There are still about thirty scorpions, two or three clustered around the grill, which we dispatch from the get, the rest scattered along the back wall. Jess pinches with the tongs, picks up the fibrous pulp of the leftovers in the gravel and drops them into the jar. You can see the shriveled tails flopping when she bounces the jar on the palm of her hand, the wrinkled segments worse than raisins.
Even the dried scorpion mush lights up under the blacklight. That and some of the withered oleander flowers that have dropped, though the reflection’s dimmer. Doesn’t stop us from reacting, though. Anything glowing out here is suspect. Jess gets in the fray, baring her teeth with disgust. The tongs might be a foot long but you can feel the teeth grip the scorpion wriggling at the end from the pressure. Like spearing crawdads. We get maybe fifteen and then she can’t take it and screws the lid shut and rolls it away into the grass, scorpions whirling like hell inside. We knock out the rest of them with the slippers and spray, smacking hard to stomp out the feeling that’s crawled up inside our throats.
The jar sits in the kitchen next to the toaster for two days. At first she put it in the middle of the island like a jar for change until breakfast, when I refused to eat with her if she didn’t move it. Her display has a time limit, though. Turns out, scorpions love eating other scorpions.
Jess doesn’t want to talk about confrontation or divorce, or counseling. She just sits with the jar, keeps tapping the glass, trying to figure out how many of the scorpions are still alive. She works from home, but now she brings her laptop and all the papers and spreadsheets out into the kitchen and uses the jar as a paperweight. Every few minutes, her eyes drift over.
She starts to bring it everywhere. Into the bedroom with her at night, when she leaves it on the night- stand by Todd’s side of the bed. Into her study, when she has to make work-related calls. She leaves it on the floor by her feet when she watches television in the living room, by the sink when she does the dishes, on top of the ironing board when she folds her clothes. Sometimes, she shines the blacklight on them, which turns the whole thing into a lamp a twelve-year-old boy would probably trade his right arm for. She gets an almost zoned-out look on her face when she studies it, the kind a kid has when he watches a fish tank. Not that the scorpions move much. They get restless when she takes them someplace else, but once she’s set them down they settle in, too.
The morning Todd comes home I wake up and the jar is gone. I guess Jess finally realized how morbid it is, keeping them around like that. For one thing, it’s like cockfighting, but with scorpions. There was one big one that had been dominating for a few days, enough that she’d named him Champ. He was missing a leg but that didn’t stop him. For another thing, the jar is glass, which means that visually, they aren’t caged at all. It’s hard to relax when you can see them all rolling over one another smushed together a couple feet away.
Jess comes in, hair wet, looking for her keys. “I gotta pick Todd up,” she says, digging through her purse. She fishes out her sunglasses and snaps them on. “Can you mail some things for me before I get back? They need to get out before the truck comes to pick them up. You can take Todd’s car. The mail- box’s still at that place. Across from the gym.”
There’s a stack of letters on the table by the door: a couple of bills, from the look of it, plus a package in one of those standard USPS boxes. Jess gives me a quick kiss in thanks as she darts past, then I hear the slam of the car door and the rumble of the garage.
After a shower and breakfast, I gather up the mail, tucking the letters into my purse and balancing the package under my arm. The weight inside isn’t even; I can feel something rolling around and the shift of sparse, Styrofoam peanuts. I freeze in the doorway and lift the package, press my ear to it.
I can almost hear the sudden scratch and rustle of something moving on glass, panicked, disturbed, the shredded scramble of legs. The soft, juicy thickness of bodies tumbling up against the sides. The sounds of hunger and consumption.
Fiction • Spring 2014
Once when I was very young, the girl I loved had a seizure in the deep end. Her name was Melanie Fitzgerald, and I didn’t much like her. We spoke very little, and when we did, it left an ugly, pitted feeling in my stomach. The dull features of her face scrunched tight around the nose, and the ends of her mouth were in the habit of turning inward and down. We were playing Marco Polo, a group of us, the tall boys inching along the sides of the pool to six feet. And she followed them, her hair fanning flat where it met the water. She walked until the water kissed her chin. It was midday, and the sun made her hair shine like lacquered wood.
I could feel the pool jet against my stomach, as if it were trying to burrow deeper under the skin. It seemed a very pure force. When I turned again she was facedown on the water’s surface. Someone was shouting, the lifeguard maybe, or one of the tall boys. They dragged her to the stairs at the head of the pool, where she floated in the gentle tide like a skiff.
We exited single file from the pool, and as I left, I felt her hair tickle the back of my legs. For a moment I grew warm all over. The water winked and dimpled in the sunlight, so that everything shone impossibly white. Two of the tall boys had their hands about her wrists, anchoring her, and there were many other children shivering poolside to watch the spectacle play out.
In the locker room later—after the ambulance had arrived, and all the tall boys were in the showers making jokes—I rubbed my legs until I didn’t feel anything at all, just the raw red make of my skin, the dead memory of her hair along my legs, how real it felt, even then.
Chronologies have never interested me. I’m going to keep things to the bone. I’m going to tell you only what you need to know. Some have said that in my retelling I withhold or that I do not fill in the right gaps. Maybe this is true. But this is all I have—the memory of a place, and the people who, for a time, occupied it.
Each of us was going to run away. It was only a matter of time, we said. There were the four of us: Kennie and Levi and Fresno and me. We drove the Strip for hours. We took Fresno’s car, a shitty blue pickup given him by his father, a farmhand, for his sixteenth birthday. We got burgers and shakes at this little drive-through where the waitresses still went around on rollerblades. They all smelled of cherry cola, the waitresses, and went by names like Brenda or Linda or Sherry or Jill. When their shifts ended, they exchanged their rollerblades for checkered pumps and short skirts.
The Strip lit up like a carnival at night, the electric signs flashing and winking like schoolgirls, the night sky opening up beyond the lights to where the hills grew dark and tall with pine. At the end of the Strip the lights stopped blinking and the storefronts went dead with plywood. Fresno turned us around and we started north again, toward the lights and the crowds. Fresno was a good kid. He was the first to go.
Kennie went to vocational school the next town over where she learned to work cars. She had three piercings in each ear, a nose ring, and one on her belly button. We met in junior high when she was the new girl and she asked me to dance. We kissed on the dance floor. Freshman year of high school she told me she’d fallen for a girl. Then she switched to the vocational school.
It was about that time that Levi and I met at Saint Paul’s Rehabilitation Center for Wayward Youths. Saint Paul’s had stone buildings with cupolas and porte-coche?res and therapists who combed their hair to one side and didn’t think a thing of taking three-week “hiatuses” to Geneva or the Berkshires. Levi was in for being a sexual deviant and I was there because I didn’t seem to have many thoughts of value and that didn’t bother me.
I slept on the top bunk in a room with four beds and one window. Every morning I slammed my head on the ceiling. The schoolmasters at Saint Paul’s didn’t know much. They bettered my handwriting and claimed improvement in French and Latin. They taught me not to leave my elbows on the dining room table and I learned the importance of cufflinks, something I wouldn’t use until many years later. When I returned to school my junior year, people thought I was the wrong kind of kid. That made me a lot of friends, though I couldn’t give you any of their names now.
The girls at Queenie’s had little red and gold tassels clipped to their nipples. Friday nights they lit the neon signs over the bar and served fifty-cent wings and fixed the jukebox so it played the whole song catalog on loop. Kennie’s friend Margot performed Friday nights and we went to watch her. Levi and I met Kennie and Fresno at the round table off the bar near the jukebox.
We only knew about Queenie’s on account of Kennie’s meeting Margot. The vocational school offered free car tune-ups as practice for the students. Margot brought her old Chevy in and Kennie got it running good as new. After that they started seeing each other. Kennie said Margot was like nobody she’d ever met. She had a theater degree from a little school in Michigan and her hair was a new color each week. That first time it was red.
Margot was a character. She had wide owl eyes and the very smooth dark skin that men found attractive. She knew things, like how much eye shadow was too much and which outfits made the right kind of men like her. For her the whole thing was a hoot. When she was drunk enough, and enough men had squeezed her thighs, and the skinny pimpled barmen had stopped giving her free drinks, she turned to me and said, “This whole thing’s a hoot, you know. Hoot-hoot-hoot.” What was I supposed to say? I bought her a drink.
Kennie brought us to Margot’s shows. Margot circled our table with a big cherry-lipped smile to her face and performed the little tassel bit for each of us before walking to the next table to tassel for the paying gentlemen. They pinched her cheeks and about once a week one would grow gutsy enough to squeeze her breasts and she would shriek and play coy, then rub her backside along his shoulders as he closed his eyes and moaned. Margot told us she only did this for the ones who didn’t wear wedding rings. She said she couldn’t respect the men who didn’t even pretend.
Fresno was Hispanic and well-muscled, a good-looking kid one year our junior who studied cars with Kennie at the vocational school. He said he was born in Mexico and that he wanted to travel America in a flatbed. Those were the two main things on his mind at any given moment: Mexico and the road. He always had gum. Usually he chewed three to four pieces at once, a thick little wad in his mouth like a wine cork. He’d fallen for Kennie even though he knew about her and Margot. When Margot flitted about him with her tasseled nipples he always stared ahead at Kennie, who stared ahead at Margot.
There was a little tin bell over the door at Queenie’s that you only ever heard as you walked in or out. The rest of the time the music was so loud you didn’t know if people were coming and going.
No one carded at Queenie’s. The barmen were drunk half the time and the bouncer was a regular goof called Charlie who spent most of his time doing hits with the manager in the back lot. He was friendly and calm and when he wasn’t stoned he played at shooing people from the door. But for the most part he couldn’t keep his mouth in a straight line for more than thirty seconds. He liked a good time, and for years Queenie’s played the part.
Levi and I played games like, How many people will Charlie turn away tonight? Or, How many drinks will Margot get for Kennie tonight? Or, How many times will Fresno rub Kennie’s hand across the table? After tallying our scores, we escaped to the back lot. Levi had a soft tongue and nice smooth cheeks and he didn’t go slack when we kissed. Then we sat and smoked a pack of Pall Malls and he’d tell me about the men he met online—who they were, and how he used them.
After they found Fresno’s body, I started to forget things. Small things at first, like the names of grade school teachers, or where I’d left my wallet. Then bigger things: which bus led home, where to find a good time, my mother’s maiden name. People mistook this for grief. They said it was only natural.
Once Charlie sat at our table and spent the afternoon with us. When Margot returned from her rounds he told us about this job he’d had right after high school mowing a rich man’s lawn. He said he spent most of the time sitting in the tool shed, which was bigger than the studio apartment he shared at the time with two roommates, reading *Playboy* and drinking virgin pale ales he found in a wheelbarrow. He said the job had definite perks. One was that he got to watch the house when the mister and his family went on vacation, which was often, and for extended periods. Another was that the mister’s daughter was a thing of beauty.
“She was purty,” he said.
“P-U-R-T-Y.” He pawed the rash on his cheek.
“Did you make the moves on her, Charlie?” Margot said with a drag. Smoke went from her nostrils like she was a bull, or a sorceress. “Did you take her away and make her yours?”
“I had half a mind.”
“Half a mind only, Charlie?”
“Half a mind only.”
“Tell us about her.” I leaned forward and burped into my glass. Levi popped a PBR and slid it my way but not without taking a sip first. I made no move for the can, as I didn’t like thinking where Levi’s lips went at night.
“Tell us everything.” Margot was fixing her bra. It slipped around a lot after shows. She held Kennie’s hand under the table. I could feel Fresno watching.
“Oh I would but it makes me sad,” Charlie said. He blinked a few times fast and we all laughed. “Charlie doesn’t like to be sad. Charlie hasn’t got *time* to be sad.”
“Why’d you quit?” Kennie asked. She wasn’t even listening.
“Didn’t,” Charlie said. He grinned so we saw his missing teeth. “I drove the mower into the pool and that done me in.”
“That done him in!” Kennie and Margot shrilled.
“Oh yeah it did,” Charlie said. “It done him in good.”











